Lo schermo empatico di Vittorio Gallese e Michele Guerra

none3noRivista di fascia A per il settore M-Fil/04 Estetica Andrea Borsari è autore del paragrafo: «In formato corporeo»: estetica e percezione del cinema (417-424)Over the past decade, an intense dialogue between film theory and cognitive neuroscience developed, aiming to explore the experience of the film spectator in its multiple and related aspects. In this context, the article reconstructs the inner structure of a relevant scientific contribution to the field and discusses the aesthetic aspects of this approach, suggesting several points of further analysis in philosophical terms.mixedAndrea, Borsari; Eugenio, Lecaldano; Ruggero, EugeniAndrea, Borsari; Eugenio, Lecaldano; Ruggero, Eugen