none1noConsidering disco not only a music genre, but above all an expression of underground cultures as well as an iconic imaginary, this article examines the manifold ways the U.S. television industry has depicted disco culture. We analyse how industrial practices have make use of its various aspects in relation to commercial and creative demands both in the Seventies and today, ultimately using disco culture as a representation of reality or as a narrative trope, according to need.noneBrembilla, PaolaBrembilla, Paol
Disco is associated commonly with the highly commercial and socially regressive Studio 54 and Saturd...
This dissertation is an analysis of historical change within those cultural industries involved in t...
The article analyzes representations of 1969 - the so-called "Autunno caldo - in the Italian televis...
Considering disco not only a music genre, but above all an expression of underground cultures as wel...
To further elaborate the widespread criticisms concerning the supposedly “materialistic” and “techno...
This article semiotically analyses constituent elements of disco, describing the traces left in pop ...
In this article, Saturday Night Fever (John Balham, 1977) is read as an example of a pop reappropria...
The so-called “cinepanettone” has been one of the most typical genres of Italian popular cinema sinc...
Recent dispositions on compulsory switch-off to digital television have led to a sudden diversificat...
Since the 1970s, disco, which formally went out of production towards the end of 1979, has moved und...
In a film narrative dimension, music plays a crucial role. What happens when film music is experienc...
By means of a critical analysis of the electronic-popular-music discourse in the German mainstream m...
The Day Disco Died examines the sudden “death” of disco music in America and the many cultural facto...
Around WWII, popular culture began to relate to a wide range of mediatized cultural practices, havin...
Spanning from the late 1970s throughout the 1980s, the music-based subculture known as post-punk was...
Disco is associated commonly with the highly commercial and socially regressive Studio 54 and Saturd...
This dissertation is an analysis of historical change within those cultural industries involved in t...
The article analyzes representations of 1969 - the so-called "Autunno caldo - in the Italian televis...
Considering disco not only a music genre, but above all an expression of underground cultures as wel...
To further elaborate the widespread criticisms concerning the supposedly “materialistic” and “techno...
This article semiotically analyses constituent elements of disco, describing the traces left in pop ...
In this article, Saturday Night Fever (John Balham, 1977) is read as an example of a pop reappropria...
The so-called “cinepanettone” has been one of the most typical genres of Italian popular cinema sinc...
Recent dispositions on compulsory switch-off to digital television have led to a sudden diversificat...
Since the 1970s, disco, which formally went out of production towards the end of 1979, has moved und...
In a film narrative dimension, music plays a crucial role. What happens when film music is experienc...
By means of a critical analysis of the electronic-popular-music discourse in the German mainstream m...
The Day Disco Died examines the sudden “death” of disco music in America and the many cultural facto...
Around WWII, popular culture began to relate to a wide range of mediatized cultural practices, havin...
Spanning from the late 1970s throughout the 1980s, the music-based subculture known as post-punk was...
Disco is associated commonly with the highly commercial and socially regressive Studio 54 and Saturd...
This dissertation is an analysis of historical change within those cultural industries involved in t...
The article analyzes representations of 1969 - the so-called "Autunno caldo - in the Italian televis...