none4noWhen working with products of contemporary art, one must consider traditional, innovative, and ephemeral materials, depending on the artist´s intentions, to which the concepts of originality and authenticity do not always apply. Case studies are discussed to compare the conservation and restoration procedures of works of art of different ages. The importance of the involvement of historicaltechnical experts, authors, and manufacturers of the materials used in the artifacts is highlighted. The procedure of conservation cannot be the same for all works of contemporary art. One must employ a methodology based on the critical study of not only the materials used but also of the philosophy and creative conceptual intentions of the artist....
Art historical research needs to consider the materiality of artefacts, but the character of the mat...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers...
When working with products of contemporary art, one must consider traditional, innovative, and ephem...
When working with products of contemporary art, one must consider traditional, innovative, and ephem...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
Lizzie Frasco, College \u2709, Art History, Visual Studies Non-Traditional Methods for Non-Tradition...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
In the contemporary art, the conservation of the original matter is not as important as the conserva...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
Art historical research needs to consider the materiality of artefacts, but the character of the mat...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers...
When working with products of contemporary art, one must consider traditional, innovative, and ephem...
When working with products of contemporary art, one must consider traditional, innovative, and ephem...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
Lizzie Frasco, College \u2709, Art History, Visual Studies Non-Traditional Methods for Non-Tradition...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
The traditional, the innovative, the ephemeral: conception, realization, intervention in contemporar...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
In the contemporary art, the conservation of the original matter is not as important as the conserva...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
Art historical research needs to consider the materiality of artefacts, but the character of the mat...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers...