In this position paper we discuss matters relative to the development of a semantic-based model for an on-line digital library of poetry in music. In particular, we present a general approach called MIMESIS (Multimedia Interoperable Model of poEtry and muSIc Sources). Using semantic technologies and methodological solutions, MIMESIS enables different types of users to creatively enjoy digitized cultural resources, not only in the specific case of poetry in music, but also in the general field of the performing arts. The MIMESIS approach is then applied to an existing repository, RePIM (Repertorio della Poesia Italiana in Musica 1500-1700), which represents an interesting test case for our study. Other state-of-the-art initiatives utilizing...
This paper presents exploratory work investigating the suitability of the Music Ontology - the most ...
cote interne IRCAM: Vinet05cNational audienceThe SemanticHIFI project aims at designing and prototyp...
The paper addresses the problem of content-based access to large repositories of digitized music sco...
In this position paper we discuss matters relative to the development of a semantic-based model for ...
Sound archives have been massively digitalized in the past twenty years. We are also witnessing that...
Abstract. This paper introduces DOREMUS—a semantic web project aiming to provide common knowledge mo...
The RePIM in LOD project aimed to publish the “Repertorio della Poesia Italiana in Musica, 1500-1700...
The use of Semantic Technologies - in particular the Semantic Web - has revealed to be a great tool ...
International audienceThe focus of this paper is the exploration of ontologies as a<br />means for k...
Modern web publishing enables sophisticated presentation of academic arguments, deploying evidence i...
The use of Semantic Technologies - in particular the Semantic Web - has revealed to be a great tool ...
The technology of semantic web seems to be a suitable environment to offer solutions for linking poe...
International audiencePOSTDATA (Poetry Standardization and Linked Open Data) aims at bridging the di...
In this paper, we present a digital library system for managing heterogeneous music collections. The...
Th is paper describes the creation of a poetic ontology in order to use it as a basis to link differ...
This paper presents exploratory work investigating the suitability of the Music Ontology - the most ...
cote interne IRCAM: Vinet05cNational audienceThe SemanticHIFI project aims at designing and prototyp...
The paper addresses the problem of content-based access to large repositories of digitized music sco...
In this position paper we discuss matters relative to the development of a semantic-based model for ...
Sound archives have been massively digitalized in the past twenty years. We are also witnessing that...
Abstract. This paper introduces DOREMUS—a semantic web project aiming to provide common knowledge mo...
The RePIM in LOD project aimed to publish the “Repertorio della Poesia Italiana in Musica, 1500-1700...
The use of Semantic Technologies - in particular the Semantic Web - has revealed to be a great tool ...
International audienceThe focus of this paper is the exploration of ontologies as a<br />means for k...
Modern web publishing enables sophisticated presentation of academic arguments, deploying evidence i...
The use of Semantic Technologies - in particular the Semantic Web - has revealed to be a great tool ...
The technology of semantic web seems to be a suitable environment to offer solutions for linking poe...
International audiencePOSTDATA (Poetry Standardization and Linked Open Data) aims at bridging the di...
In this paper, we present a digital library system for managing heterogeneous music collections. The...
Th is paper describes the creation of a poetic ontology in order to use it as a basis to link differ...
This paper presents exploratory work investigating the suitability of the Music Ontology - the most ...
cote interne IRCAM: Vinet05cNational audienceThe SemanticHIFI project aims at designing and prototyp...
The paper addresses the problem of content-based access to large repositories of digitized music sco...