Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microchemical tests were used for the identification of pigments in two different samples of an icon. Representing the Last Judgement, and painted by the Greek master Ioannis from the village of Kapesovo in the year 1771, the kneeling desk icon under investigation is a noteworthy contribution to the study of materials in post-Byzantine visual arts. The main components found in the ground layer of both samples were gypsum, beeswax and a proteinaceous material. Cinnabar, Prussian blue and cerussite were identified on the paint layers. The binding medium on the paint layers was weddelite. The materials used in the painting and ground layers were chara...
A multianalytical study of two Serbian icons, The Virgin and Child and St. Petka, painted on canvas ...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
Abstract- The aim of study is identification, determination, and assessment of the painting material...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
The scientific dating, using comparative analytical techniques, of an icon which is neither dated no...
The present work reports decisive new data regarding the characterization of the paint materials use...
The present work is part of a project aimed at studying the pigments and painting techniques used by...
The present work deals with an extensive non-destructive and micro-spectroscopic study of "The Birth...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
Since the late 12th century the Ionian Islands had passed gradually from Byzantine rule to the spher...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
A multianalytical study of two Serbian icons, The Virgin and Child and St. Petka, painted on canvas ...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
Abstract- The aim of study is identification, determination, and assessment of the painting material...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
The scientific dating, using comparative analytical techniques, of an icon which is neither dated no...
The present work reports decisive new data regarding the characterization of the paint materials use...
The present work is part of a project aimed at studying the pigments and painting techniques used by...
The present work deals with an extensive non-destructive and micro-spectroscopic study of "The Birth...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
Since the late 12th century the Ionian Islands had passed gradually from Byzantine rule to the spher...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
A multianalytical study of two Serbian icons, The Virgin and Child and St. Petka, painted on canvas ...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
Abstract- The aim of study is identification, determination, and assessment of the painting material...