A long series of journeys through the Indian subcontinent bring about a face to face encounter with a decidedly multi-facetted culture where the borderline between objectivity and allusion often become hazy. Within this framework, the real journey engenders a voyage inside the image and leads to a continuous assessment of the relationships between the constructed landscape and photography. This view of contemporary India travels through three chapters: karma (action), samsara (cycle) and moksa (liberation) and suggests the three life concepts of Hinduism as a means of reading tangible space
For more than two millennia, the historic Grand Trunk Road, the busy thoroughfare that extends some ...
Karen Knorr showed 17 works from India Song at Bahrain National Museum in a Tasveer-curated group ex...
University of Minnesota Ph.D. dissertation. April 2012. Major: Art History. Advisor: Frederick Asher...
A long series of journeys through the Indian subcontinent bring about a face to face encounter with ...
Exhibition held at Macquarie University Art Gallery, NSW, 24th January to 4th March 2011. 'India - P...
India Song consists of 50 digital photographs taken between 2008 and 2013, 32 of which are presented...
This book is a collection of impressions gathered during an extended journey through the Indian subc...
In the age of global digital revolution the ways of seeing things, the concept of visuality, frequen...
What do we picture when we evoke India? For its 20 th annual Workshop, The “Association des jeunes é...
Indiascapes. Images and Words from Globalized India Indian culture is playing an increasingly imposi...
This dissertation examines a mode of photographic practice in contemporary India marked by intimate,...
This Final Year Project (FYP) is one that explored the symbolic visual language of the chakra system...
This thesis is concerned with tourist representations and practices in India. Orientalist aesthetics...
Exhibition catalogue produced to accompany the landmark exhibition at the Whitechapel Gallery: Where...
Popular writing has brought about an image of Hindu deities that are seen as a part of Hinduism only...
For more than two millennia, the historic Grand Trunk Road, the busy thoroughfare that extends some ...
Karen Knorr showed 17 works from India Song at Bahrain National Museum in a Tasveer-curated group ex...
University of Minnesota Ph.D. dissertation. April 2012. Major: Art History. Advisor: Frederick Asher...
A long series of journeys through the Indian subcontinent bring about a face to face encounter with ...
Exhibition held at Macquarie University Art Gallery, NSW, 24th January to 4th March 2011. 'India - P...
India Song consists of 50 digital photographs taken between 2008 and 2013, 32 of which are presented...
This book is a collection of impressions gathered during an extended journey through the Indian subc...
In the age of global digital revolution the ways of seeing things, the concept of visuality, frequen...
What do we picture when we evoke India? For its 20 th annual Workshop, The “Association des jeunes é...
Indiascapes. Images and Words from Globalized India Indian culture is playing an increasingly imposi...
This dissertation examines a mode of photographic practice in contemporary India marked by intimate,...
This Final Year Project (FYP) is one that explored the symbolic visual language of the chakra system...
This thesis is concerned with tourist representations and practices in India. Orientalist aesthetics...
Exhibition catalogue produced to accompany the landmark exhibition at the Whitechapel Gallery: Where...
Popular writing has brought about an image of Hindu deities that are seen as a part of Hinduism only...
For more than two millennia, the historic Grand Trunk Road, the busy thoroughfare that extends some ...
Karen Knorr showed 17 works from India Song at Bahrain National Museum in a Tasveer-curated group ex...
University of Minnesota Ph.D. dissertation. April 2012. Major: Art History. Advisor: Frederick Asher...