The article explores the work of the "First Wave" of avantgard filmmakers in France throughout the 1920s, highlighting the contributions of some key figures like Louis Delluc, Jean Epstein, Germaine Dulac, Antonin Artaud and the Surrealists. A series of significant concepts fro, the period are discussed and analyzed: the notion, introduced by the Italian Ricciotto Canudo, of cinema as the "Seventh Art", the much debated theories of photogénie and "pure" or "abstract" cinema, and a range of different interpretations of Surrealism in film
This first critical overview of the European film avant-garde ushers in a new approach and creates i...
The surrealist movement began as a consequence of the social, economical, and political disruptions ...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
The article explores the work of the "First Wave" of avantgard filmmakers in France throughout the 1...
A long-standing and intimate link exists between avant-garde and scientific cinema. In the 1920s, in...
The thesis explores the French New Wave as a film school which made a break with classical filmmakin...
This essay highlights the role of historical avant-gardes in shaping film discourse This role was vi...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
The thesis explores the French New Wave as a film school which made a break with classical filmmakin...
none1noThe interest in the cinema's power of transfiguration gradually shifted, during the 1920s, fr...
The aim of this article is to verify the intense relationship that has been maintained between the c...
The title of this article – a 1925 aphorism by Germaine Dulac – aims to show that personalities such...
This article examines the stylistic representation of speed and travel in three French avant-garde f...
CZECH SURREALISM AND CZECH NEW WAVE REALISM: THE IMPORTANCE OF OBJECTS AbstractThis article examines...
ii This study examines the relationship between film techniques and politics in French cinema. The f...
This first critical overview of the European film avant-garde ushers in a new approach and creates i...
The surrealist movement began as a consequence of the social, economical, and political disruptions ...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
The article explores the work of the "First Wave" of avantgard filmmakers in France throughout the 1...
A long-standing and intimate link exists between avant-garde and scientific cinema. In the 1920s, in...
The thesis explores the French New Wave as a film school which made a break with classical filmmakin...
This essay highlights the role of historical avant-gardes in shaping film discourse This role was vi...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
The thesis explores the French New Wave as a film school which made a break with classical filmmakin...
none1noThe interest in the cinema's power of transfiguration gradually shifted, during the 1920s, fr...
The aim of this article is to verify the intense relationship that has been maintained between the c...
The title of this article – a 1925 aphorism by Germaine Dulac – aims to show that personalities such...
This article examines the stylistic representation of speed and travel in three French avant-garde f...
CZECH SURREALISM AND CZECH NEW WAVE REALISM: THE IMPORTANCE OF OBJECTS AbstractThis article examines...
ii This study examines the relationship between film techniques and politics in French cinema. The f...
This first critical overview of the European film avant-garde ushers in a new approach and creates i...
The surrealist movement began as a consequence of the social, economical, and political disruptions ...
This book gives a concise account of a complex movement for the new reader, with many specific examp...