An unpublished notarial document regarding an episode from the married life of Carlo Maratti, countersigned by Giovan Pietro Bellori and dated 9 March 1675, offers the occasion for a rapid review of the painter’s biographical fortunes during the seventeenth and eighteenth centuries, especially bearing in mind the general silence of the sources about his family situation. The article focuses especially on the biography of Maratti left unfinished by Bellori, and — thanks to a letter by Giovan Battista Pacichelli published in 1695 but overlooked by scholarship regarding the Roman antiquarian — gives a broader context for how it was intended to form part of a revised and expanded edition of the Vite, in preparation during the five years precedi...
This article offers an account of research carried out by the author on archival and published sourc...
The essay informs of the discovery of a lost letter by Giovanni Della Casa to Piero Vettori in the L...
This article focuses on a partially published manuscript concerning the epigraphic collection of Ber...
An unpublished notarial document regarding an episode from the married life of Carlo Maratti, counte...
In 1999-2000 the Barberini Venus was the subject of a complex and controversial restoration which in...
This article presents the evidence for a tentative reconstruction of the theoretical and iconographi...
The article deals with some archival discoveries relating to two altarpieces commissioned by the Bar...
Carlo Maratti (1625-1713) è una delle figure chiave del 'sistema dell'arte' a Roma nel periodo del t...
From the middle of the 16th century, when the first edition of Giorgio Vasari's Lives of the Most Em...
Thanks to the discovery of previously unknown documents, the writer of the pre- sent study was able ...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
The essay proposes a focus on the relationships between Genoa and Bologna in the middle of the 17th ...
The article aims to show that Bellori conceived the project of writing the Lives in the 1630s when t...
The abundance of illustrated biographical volumes produced in the wake of Giovio’s model has given r...
This article offers an account of research carried out by the author on archival and published sourc...
The essay informs of the discovery of a lost letter by Giovanni Della Casa to Piero Vettori in the L...
This article focuses on a partially published manuscript concerning the epigraphic collection of Ber...
An unpublished notarial document regarding an episode from the married life of Carlo Maratti, counte...
In 1999-2000 the Barberini Venus was the subject of a complex and controversial restoration which in...
This article presents the evidence for a tentative reconstruction of the theoretical and iconographi...
The article deals with some archival discoveries relating to two altarpieces commissioned by the Bar...
Carlo Maratti (1625-1713) è una delle figure chiave del 'sistema dell'arte' a Roma nel periodo del t...
From the middle of the 16th century, when the first edition of Giorgio Vasari's Lives of the Most Em...
Thanks to the discovery of previously unknown documents, the writer of the pre- sent study was able ...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
The essay proposes a focus on the relationships between Genoa and Bologna in the middle of the 17th ...
The article aims to show that Bellori conceived the project of writing the Lives in the 1630s when t...
The abundance of illustrated biographical volumes produced in the wake of Giovio’s model has given r...
This article offers an account of research carried out by the author on archival and published sourc...
The essay informs of the discovery of a lost letter by Giovanni Della Casa to Piero Vettori in the L...
This article focuses on a partially published manuscript concerning the epigraphic collection of Ber...