Add to ORKGTaking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the focus of my enquiry, I wish to investigate complex questions of institutional networks, critical discourse on music and interpersonal relationships that shaped production and reception of symphonic music in the interwar Kingdom of Yugoslavia. The competition was organized by Society of Friends of Art Cvijeta Zuzoric with an ostensible aim of promoting modern art and supporting young artists’ endeavours
This study deals with problems of an integral perception of Serbian music between the two World Wars...
If there was but one important issue to be highlighted concerning Serbian music of the 20th century...
This paper aims to illuminate on how the institution of the folk orchestra in Serbia was established...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
In this paper we focused on investigating how the sphere of musical amateurism functioned in Yugosla...
As the Principality of Serbia (1817-1882) fought for its political independence and sovereignity in...
The introductory section of this article comprises a condensed retrospection of previous researches ...
Abstract: In this paper we discuss the role of BEMUS festival in commissioning new musical pieces fr...
The initial idea for this volume was expressed during a study session called The Multiple Identities...
After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the exa...
The interwar period brought about a number of modernist tendencies in the heterogeneous cultural ...
It is worth noting that the important journal of the history of Serbian literature and music, the Se...
During 1935, 1936. and 1938, in Belgrade was published a monthly magazine The Southslavic Choral ...
IN THE NET OF DISCIPLINARY AND REGULATORY MECHANISMS: MUSICIANS IN BELGRADE 1941−1944 Summary: The ...
This study deals with problems of an integral perception of Serbian music between the two World Wars...
If there was but one important issue to be highlighted concerning Serbian music of the 20th century...
This paper aims to illuminate on how the institution of the folk orchestra in Serbia was established...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
In this paper we focused on investigating how the sphere of musical amateurism functioned in Yugosla...
As the Principality of Serbia (1817-1882) fought for its political independence and sovereignity in...
The introductory section of this article comprises a condensed retrospection of previous researches ...
Abstract: In this paper we discuss the role of BEMUS festival in commissioning new musical pieces fr...
The initial idea for this volume was expressed during a study session called The Multiple Identities...
After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the exa...
The interwar period brought about a number of modernist tendencies in the heterogeneous cultural ...
It is worth noting that the important journal of the history of Serbian literature and music, the Se...
During 1935, 1936. and 1938, in Belgrade was published a monthly magazine The Southslavic Choral ...
IN THE NET OF DISCIPLINARY AND REGULATORY MECHANISMS: MUSICIANS IN BELGRADE 1941−1944 Summary: The ...
This study deals with problems of an integral perception of Serbian music between the two World Wars...
If there was but one important issue to be highlighted concerning Serbian music of the 20th century...
This paper aims to illuminate on how the institution of the folk orchestra in Serbia was established...