Add to ORKGIn the German music of the first half of the 17th century one encounters a relatively narrow repertoire. In comparison to both the polychoral and monodical styles imported from Italy and conservative local compositions it attracts attention due to its individual character
The focus of this document is the use of rhetoric and word painting in the German madrigals of Johan...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
The goal of my dissertation research is to uncover a tertium quid between two inadequate modern posi...
In the German music of the first half of the 17th century one encounters a relatively narrow reperto...
Inspired by the seminal work of historians Ernst Walter Zeeden, Wolfgang Reinhard and Heinz Schillin...
ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...
Includes abstract and vita.This dissertation explores the different ways that motets were recontextu...
2014-05-20This document examines Georg Philipp Telemann’s motets in the context of the German motet ...
Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of th...
Chansons, madrigales \u26 motetz à 3 parties of 1568 is one of two volumes that constitute the debut...
This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Song...
A recurring topic in musicology is the origin of the madrigal. Did it come from the frottola, the mo...
In recent years the madrigal has gained considerable popularity. While this is good, unfortunately, ...
Book 1 contains works by T. Bateson, W. Byrd, J. Dowland, O. Gibbons, T. Morley, T. Tomkins, J. Ward...
This thesis examines how the mid sixteenth century madrigal phenomenon was perceived and interpreted...
The focus of this document is the use of rhetoric and word painting in the German madrigals of Johan...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
The goal of my dissertation research is to uncover a tertium quid between two inadequate modern posi...
In the German music of the first half of the 17th century one encounters a relatively narrow reperto...
Inspired by the seminal work of historians Ernst Walter Zeeden, Wolfgang Reinhard and Heinz Schillin...
ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...
Includes abstract and vita.This dissertation explores the different ways that motets were recontextu...
2014-05-20This document examines Georg Philipp Telemann’s motets in the context of the German motet ...
Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of th...
Chansons, madrigales \u26 motetz à 3 parties of 1568 is one of two volumes that constitute the debut...
This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Song...
A recurring topic in musicology is the origin of the madrigal. Did it come from the frottola, the mo...
In recent years the madrigal has gained considerable popularity. While this is good, unfortunately, ...
Book 1 contains works by T. Bateson, W. Byrd, J. Dowland, O. Gibbons, T. Morley, T. Tomkins, J. Ward...
This thesis examines how the mid sixteenth century madrigal phenomenon was perceived and interpreted...
The focus of this document is the use of rhetoric and word painting in the German madrigals of Johan...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
The goal of my dissertation research is to uncover a tertium quid between two inadequate modern posi...