A new method has been developed for monitoring the degradation of paintings. Two inorganic pigments (ultramarine blue and red ochre) were blended with linseed oil and spread on canvas. Each canvas was subjected to simulated accelerated ageing in the presence of typical degradation agents (UV radiation and acidic solution). Periodically the painted surfaces were analysed by FT-Raman, to investigate the status of the surface. The data obtained were analysed by principal component analysis (PCA). Finally the Shewhart and cumulative sum control charts based on the relevant principal components (PC) and the so called scores monitoring and residuals tracking (SMART) charts were built. The method based on the use of PC to describe the process was ...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The preservation of moveable cultural heritage objects inside museums includes trying to keep these ...
A new method has been developed for monitoring the degradation of paintings. Two inorganic pigments ...
Two of the most suitable analytical techniques used in the field of cultural heritage are NIR (near-...
This work is an extension of a method for monitoring the conservation state of pigmented surfaces pr...
This paper concerns the improvement of a method, already applied for the conservation state monitori...
The paint layers of art objects are daily subject to aggression by atmospheric agents that, with dif...
The principles of quality control and multivariate statistical analysis were applied to the monitori...
The possibility to perform a full characterization and identification of pigments in pictorial laye...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
During 19th and 20th centuries, the industrial revolution and synthetic chemistry development provid...
This work demonstrates the potential of surface analysis techniques to contribute to a better unders...
This paper presents a preliminary study on the degradation of spray paint samples, illustrated by Op...
The aim of this work is to investigate the stability to simulated solar radiation of some paintings ...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The preservation of moveable cultural heritage objects inside museums includes trying to keep these ...
A new method has been developed for monitoring the degradation of paintings. Two inorganic pigments ...
Two of the most suitable analytical techniques used in the field of cultural heritage are NIR (near-...
This work is an extension of a method for monitoring the conservation state of pigmented surfaces pr...
This paper concerns the improvement of a method, already applied for the conservation state monitori...
The paint layers of art objects are daily subject to aggression by atmospheric agents that, with dif...
The principles of quality control and multivariate statistical analysis were applied to the monitori...
The possibility to perform a full characterization and identification of pigments in pictorial laye...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
During 19th and 20th centuries, the industrial revolution and synthetic chemistry development provid...
This work demonstrates the potential of surface analysis techniques to contribute to a better unders...
This paper presents a preliminary study on the degradation of spray paint samples, illustrated by Op...
The aim of this work is to investigate the stability to simulated solar radiation of some paintings ...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The influence of Synthetic Organic Pigments in the degradation of Acrylem AC 33, a waterborne acryli...
The preservation of moveable cultural heritage objects inside museums includes trying to keep these ...