Add to ORKGPoint of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison
The author explores the meanings of “revolution” in the last two centuries and points to the ways in...
edged as the moment when musicology was born. In reality, however, the concept of the new academic d...
Pluralism has been accepted as the best broad working definition of the current cultural and artisti...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
The research article discusses the concept of “the trans-avant-garde” (a term coined by the Italian ...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
Peter Bürger’s critique of the historical avant garde accounts for its ineffectual nature as a polit...
The avant-garde — a vision of the future or its illusion? Or why the European art gave up the ...
The current status of the «avant-garde» provokes many questions, which include both inner-artistic m...
The article provides a survey of musical aesthetics as academic discipline today, showing some criti...
The author presents the ways in which “Peiperism”, i.e. a model of thinking about the avant-garde as...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
After a century of great upheaval in music, the twenty-first century is demonstrating that it will p...
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 2...
The PhD research project Powers of Divergence - An Experimental Approach to Written Music has been a...
The author explores the meanings of “revolution” in the last two centuries and points to the ways in...
edged as the moment when musicology was born. In reality, however, the concept of the new academic d...
Pluralism has been accepted as the best broad working definition of the current cultural and artisti...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
The research article discusses the concept of “the trans-avant-garde” (a term coined by the Italian ...
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 2...
Peter Bürger’s critique of the historical avant garde accounts for its ineffectual nature as a polit...
The avant-garde — a vision of the future or its illusion? Or why the European art gave up the ...
The current status of the «avant-garde» provokes many questions, which include both inner-artistic m...
The article provides a survey of musical aesthetics as academic discipline today, showing some criti...
The author presents the ways in which “Peiperism”, i.e. a model of thinking about the avant-garde as...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
After a century of great upheaval in music, the twenty-first century is demonstrating that it will p...
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 2...
The PhD research project Powers of Divergence - An Experimental Approach to Written Music has been a...
The author explores the meanings of “revolution” in the last two centuries and points to the ways in...
edged as the moment when musicology was born. In reality, however, the concept of the new academic d...
Pluralism has been accepted as the best broad working definition of the current cultural and artisti...