Serving as two of the most visible African American cultural movements, blaxploitation cinema and gangsta rap played essential roles in giving African American artists an outlet to establish a new black identity for mainstream audiences. After exploring the similarities between the cultural and economic conditions that spawned both movements, this essay examines the parallel techniques by which the preeminent entries in both genres established themselves as culturally relevant for African American audiences. These techniques included a reliance on place and space to establish authenticity, as well as employing African American myths and folklore such as the Signifying Monkey and the badman. By establishing themselves as mainstream represent...
This dissertation investigates key similarities between l9th-century slave accounts and what I call ...
Some 19th century white performers experienced great success based on their appropriations of Blackn...
What accounts for the persistence of the figure of the black criminal in popular culture created by ...
This paper interrogates the linguistic grounding of battle rap in Afro-based cultural practices, and...
In a world where impoverished urban black youth are under attack from all political factions, rap mu...
According to 2020 research, roughly 12% of the population in the United States of America self-ident...
Rap music has been one of the dominant genres on the charts over the last few years, and Hip Hop ima...
Exploring the conditions and origins of Rap music and Hip Hop culture from a contextual standpoint f...
In order to reify rap music as a product of the African and African American imagination, this disse...
This study investigates the expressive youth movement hip hop, a predominately black male subculture...
This dissertation examines the roles of agency, autonomy, and historical context in Black female rap...
Hip-hop arrived in São Paulo, Brazil in the late 1970s. During this time, African Brazilians organiz...
Recent research on identity, culture, and violence in inner-city communities describes a black youth...
Hip-hop arrived in São Paulo, Brazil in the late 1970s. During this time, African Brazilians organiz...
Heavy metal and rap music are the two most scrutinized forms of music. Heavy metal music, which feat...
This dissertation investigates key similarities between l9th-century slave accounts and what I call ...
Some 19th century white performers experienced great success based on their appropriations of Blackn...
What accounts for the persistence of the figure of the black criminal in popular culture created by ...
This paper interrogates the linguistic grounding of battle rap in Afro-based cultural practices, and...
In a world where impoverished urban black youth are under attack from all political factions, rap mu...
According to 2020 research, roughly 12% of the population in the United States of America self-ident...
Rap music has been one of the dominant genres on the charts over the last few years, and Hip Hop ima...
Exploring the conditions and origins of Rap music and Hip Hop culture from a contextual standpoint f...
In order to reify rap music as a product of the African and African American imagination, this disse...
This study investigates the expressive youth movement hip hop, a predominately black male subculture...
This dissertation examines the roles of agency, autonomy, and historical context in Black female rap...
Hip-hop arrived in São Paulo, Brazil in the late 1970s. During this time, African Brazilians organiz...
Recent research on identity, culture, and violence in inner-city communities describes a black youth...
Hip-hop arrived in São Paulo, Brazil in the late 1970s. During this time, African Brazilians organiz...
Heavy metal and rap music are the two most scrutinized forms of music. Heavy metal music, which feat...
This dissertation investigates key similarities between l9th-century slave accounts and what I call ...
Some 19th century white performers experienced great success based on their appropriations of Blackn...
What accounts for the persistence of the figure of the black criminal in popular culture created by ...