Emotions and feelings overwhelm mnemonic practices of any collective with traces of violence in its history. The violent history has become the means for the Iranian regime to regulate the nation's political consciousness. The regime formulates the political consciousness by way of politics of memory and enforcing a master narrative drawn from Shi'i history. I trace elicited emotions, within the war veterans’ memoirs, to explain feelings and consciousness in the realm of situated bodies. By way of those emotions, the article outlines an anthropology of emotions that rejects universal codes of emotions and instead proposes following an embodied consciousness through emotions along with histories that evoke them. My argument broadens Sarah Ah...
Most debates on postwar mental health focus on clinical evaluations of veterans’ and civilians’ indi...
Theoretical thesis.Bibliography: page 72.Part I. Narratives -- Part II. Theories.This paper consists...
This article is concerned with the emotional processes that animate historical work. Starting with a...
Memories of wars and constantly living with them become the measure of citizenhood, revolutionary co...
I portray mnemonic practices of Iranians who engaged with the past and keep the memories of martyrs ...
This essay argues that the 1979 Iranian Revolution constituted a traumatic break in the national ima...
Narratives, stories and memories of pasts mutate through times, politics and sociocultural practices...
This thesis is the study of the cultural practices of the memory of Iran-Iraq War, backed by that of...
‘We are history’ is a declaration that traverses identity labels, generational memories and nation b...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
That World War II is connected to emotions seems self-evident. But what did this relationship entail...
This paper provides a cultural critique of the concept of trauma by examining the generational narra...
The subject of the article is a (quasi-) theatrical performance – Ta’ziyeh – treated as a potential ...
The subject of the article is a (quasi-) theatrical performance – Ta’ziyeh – treated as a potential ...
Most debates on postwar mental health focus on clinical evaluations of veterans’ and civilians’ indi...
Theoretical thesis.Bibliography: page 72.Part I. Narratives -- Part II. Theories.This paper consists...
This article is concerned with the emotional processes that animate historical work. Starting with a...
Memories of wars and constantly living with them become the measure of citizenhood, revolutionary co...
I portray mnemonic practices of Iranians who engaged with the past and keep the memories of martyrs ...
This essay argues that the 1979 Iranian Revolution constituted a traumatic break in the national ima...
Narratives, stories and memories of pasts mutate through times, politics and sociocultural practices...
This thesis is the study of the cultural practices of the memory of Iran-Iraq War, backed by that of...
‘We are history’ is a declaration that traverses identity labels, generational memories and nation b...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
That World War II is connected to emotions seems self-evident. But what did this relationship entail...
This paper provides a cultural critique of the concept of trauma by examining the generational narra...
The subject of the article is a (quasi-) theatrical performance – Ta’ziyeh – treated as a potential ...
The subject of the article is a (quasi-) theatrical performance – Ta’ziyeh – treated as a potential ...
Most debates on postwar mental health focus on clinical evaluations of veterans’ and civilians’ indi...
Theoretical thesis.Bibliography: page 72.Part I. Narratives -- Part II. Theories.This paper consists...
This article is concerned with the emotional processes that animate historical work. Starting with a...