This chapter introduces to the concept of musical haptics, its scope, aims, challenges, as well as its relevance and impact for general haptics and human–computer interaction. A brief summary of subsequent chapters is given
AbstractIn this article we introduce a systematic, holistic way of experiencing music performances t...
This paper describes the design of Haptic Beats, a tangible interface that addresses two functionali...
PhDThe sense of touch plays a fundamental role in musical performance: alongside hearing, it is the ...
This open access book offers an original interdisciplinary overview of the role of haptic feedback i...
This chapter introduces to the concept of musical haptics, its scope, aims, challenges, as well as i...
We draw from recent research in violin quality evaluation and piano performance to examine whether t...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
International audienceThis paper discusses how haptic devices and physical modelling can be employed...
Recent developments in interactive technologies have seen major changes in the manner in which artis...
We suggest that studies on active touch psychophysics are needed to inform the design of haptic musi...
The nature of human/instrument interaction is a long-standing area of study, drawing interest from f...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
As a performer of firstly acoustic and latterly electronic and electro-instrumental music, I consta...
Physical interaction with instruments allows performers to express and realise music based on the na...
AbstractIn this article we introduce a systematic, holistic way of experiencing music performances t...
This paper describes the design of Haptic Beats, a tangible interface that addresses two functionali...
PhDThe sense of touch plays a fundamental role in musical performance: alongside hearing, it is the ...
This open access book offers an original interdisciplinary overview of the role of haptic feedback i...
This chapter introduces to the concept of musical haptics, its scope, aims, challenges, as well as i...
We draw from recent research in violin quality evaluation and piano performance to examine whether t...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
International audienceThis paper discusses how haptic devices and physical modelling can be employed...
Recent developments in interactive technologies have seen major changes in the manner in which artis...
We suggest that studies on active touch psychophysics are needed to inform the design of haptic musi...
The nature of human/instrument interaction is a long-standing area of study, drawing interest from f...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical cont...
As a performer of firstly acoustic and latterly electronic and electro-instrumental music, I consta...
Physical interaction with instruments allows performers to express and realise music based on the na...
AbstractIn this article we introduce a systematic, holistic way of experiencing music performances t...
This paper describes the design of Haptic Beats, a tangible interface that addresses two functionali...
PhDThe sense of touch plays a fundamental role in musical performance: alongside hearing, it is the ...