This essay examines the trajectory and the major milestones in “cursing God” in the extreme metal scene. The goal of this work is to begin a more honest conversation about the relationships between God, Satan and extreme metal that goes beyond media sensationalism. Three categories of “cursing God” in the extreme metal scene are presented and these are intended to act as a springboard for continued discourse and discussion that grants further elaboration on the intent and philosophies of the artists.Cet article étudie l’évolution et les points de repère importants du « maudire Dieu » dans le milieu du métal extrême. L’objectif de ...
Since 1976, the British heavy metal band Iron Maiden has been working at the production of a musical...
Historically speaking, metal music has always been about provoking a strong reaction. Depending on t...
This article focuses on the events of the Norwegian black metal scene in the early 1990s, a period i...
This essay researches the prevalence of Gnostic influences in contemporary music lyrics, more exclus...
The following essay aims to examine the use of lyrical themes linked to religion. The music styles i...
In the last two decades, we can observe a trend that many metal bands have been accenting a serious ...
Metal is perhaps the most extreme and aggressive form of contemporary Western popular music. Even th...
The article deals with the Norwegian black metal scene in the early 1990s, focusing on how the leadi...
This article analizes the LP Litourgiya (2015) by Polish black metal band Batushka (commercially sty...
This article deals with an esoteric current Thursatrú. Thursatrú falls within a broader esoteric cur...
This study is an attempt to investigate religious perceptions and its development, function and conn...
This text is a case study focused on the Swedish metal band Ghost, which excites controversies even ...
The purpose of my thesis is to extend the knowledge about an obscure cultural-religious relationship...
oai:revues.org:volume/9169Cet article s’interroge, dans une perspective esthétique, sur la formation...
Der Teufel als Gegenstand im Heavy Metal wurde aus der Faszination für Okkultes in der Rockmusik und...
Since 1976, the British heavy metal band Iron Maiden has been working at the production of a musical...
Historically speaking, metal music has always been about provoking a strong reaction. Depending on t...
This article focuses on the events of the Norwegian black metal scene in the early 1990s, a period i...
This essay researches the prevalence of Gnostic influences in contemporary music lyrics, more exclus...
The following essay aims to examine the use of lyrical themes linked to religion. The music styles i...
In the last two decades, we can observe a trend that many metal bands have been accenting a serious ...
Metal is perhaps the most extreme and aggressive form of contemporary Western popular music. Even th...
The article deals with the Norwegian black metal scene in the early 1990s, focusing on how the leadi...
This article analizes the LP Litourgiya (2015) by Polish black metal band Batushka (commercially sty...
This article deals with an esoteric current Thursatrú. Thursatrú falls within a broader esoteric cur...
This study is an attempt to investigate religious perceptions and its development, function and conn...
This text is a case study focused on the Swedish metal band Ghost, which excites controversies even ...
The purpose of my thesis is to extend the knowledge about an obscure cultural-religious relationship...
oai:revues.org:volume/9169Cet article s’interroge, dans une perspective esthétique, sur la formation...
Der Teufel als Gegenstand im Heavy Metal wurde aus der Faszination für Okkultes in der Rockmusik und...
Since 1976, the British heavy metal band Iron Maiden has been working at the production of a musical...
Historically speaking, metal music has always been about provoking a strong reaction. Depending on t...
This article focuses on the events of the Norwegian black metal scene in the early 1990s, a period i...