Add to ORKGBreve saggio sulla nascita del tragicomico nel melodramma ben prima di quanto si sostiene nella letteratura scientifica sinora.An essay on the birth of tragicomic blend in the melodrama genre, quite before it is generally supposed
The paramount role of the mass in the birth of Spanish theater of the late Middle Ages or early Rena...
In this article, was discussed about melodrama, considering your origin until its presence in the ci...
The purpose of the present work is to analyze the function of three major conventional scenes, broad...
"Melodramma" dominates eighteenth-century Italian theatre. Not only did. it attract the enthusiastic...
The themes of the essay are two opposite cases, both belonging to the vast and contradictory field o...
The essay esamins some religious italian tragedies \u2013 Crisanto by Hortensio Scammacca (1632), Il...
This essay traces the educational, ecclesiastical and aristocratic settings of Milan in which eighte...
This paper aims to uncover the meaning of the myth of Orpheus and Eurydice in Italian theatre plays ...
The essay analyzes the forms of mise en abyme and dumb-show adopted in different culture of European...
This article aims at giving an account of the reception, diffusion and literary elaboration of the ‘...
The term "melologo", used sporadically in modern language and treated as an Italian synonym for melo...
In A Defence of Poetry (1579) Sir Philip Sidney praises Orpheus, a central figure in Renaissance tho...
Il volume, dopo una introduzione generale sul tragicomico nel teatro, in particolare rinascimentale ...
Between late 17th and early 18th century, a considerable production of tragedies flourishes in Italy...
Throughout the Ancien Régime, mythology played a remarkably vital role in opera, defining such epoch...
The paramount role of the mass in the birth of Spanish theater of the late Middle Ages or early Rena...
In this article, was discussed about melodrama, considering your origin until its presence in the ci...
The purpose of the present work is to analyze the function of three major conventional scenes, broad...
"Melodramma" dominates eighteenth-century Italian theatre. Not only did. it attract the enthusiastic...
The themes of the essay are two opposite cases, both belonging to the vast and contradictory field o...
The essay esamins some religious italian tragedies \u2013 Crisanto by Hortensio Scammacca (1632), Il...
This essay traces the educational, ecclesiastical and aristocratic settings of Milan in which eighte...
This paper aims to uncover the meaning of the myth of Orpheus and Eurydice in Italian theatre plays ...
The essay analyzes the forms of mise en abyme and dumb-show adopted in different culture of European...
This article aims at giving an account of the reception, diffusion and literary elaboration of the ‘...
The term "melologo", used sporadically in modern language and treated as an Italian synonym for melo...
In A Defence of Poetry (1579) Sir Philip Sidney praises Orpheus, a central figure in Renaissance tho...
Il volume, dopo una introduzione generale sul tragicomico nel teatro, in particolare rinascimentale ...
Between late 17th and early 18th century, a considerable production of tragedies flourishes in Italy...
Throughout the Ancien Régime, mythology played a remarkably vital role in opera, defining such epoch...
The paramount role of the mass in the birth of Spanish theater of the late Middle Ages or early Rena...
In this article, was discussed about melodrama, considering your origin until its presence in the ci...
The purpose of the present work is to analyze the function of three major conventional scenes, broad...