Free-Improvised Rehearsal-as-Research for Musical HCI

The formal evaluation of new interfaces for musical expression (NIMEs) in their use by ensembles of musicians is a challenging problem in human-computer interaction (HCI). NIMEs are designed to support creative expressions that are often improvised and unexpected. In the collaborative setting of a musical ensemble, interactions are complex and it can be almost impossible to directly evaluate the impact of interface variations. The evaluation environment also needs to be carefully considered. In the wild, concert pressures and practicalities limit experimental control. In the laboratory, studies may not sufficiently reflect real-world usage to make their conclusions relevant. To address some of these issues, we propose a methodology of rehearsal-as-research to study free improvisation by ensembles of NIME performers. In this methodology, evaluation sessions are structured to mirror established practices for improvisation training and performance development. Such sessions can allow controlled, order-balanced studies with extensive data collection in the style of factorial HCI experiments while preserving the artistic setting of a rehearsal. Experiment design, questionnaires, and objective measures such as session duration will be discussed along with two case studies. © Springer Nature Switzerland AG 201