Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany
This dissertation examines how the foundational principles of architectural design are influenced an...
Baroque needs to be thought across chronological and geographical divides to connect architecture an...
oai:ojs.pkp.sfu.ca:article/518This article discusses three aesthetics which go against the understan...
Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New ...
The Baroque is back in contemporary culture. The ten essays authored by international scholars, and ...
This dissertation explores the rich interplay between architecture and art historical research that ...
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between th...
Juhan Maiste: Kadriorg: the Spirit of Baroque and the Willof Genius. A Palace on the Edge of the Thi...
The Critical Appraisal, 'Abstraction after Modernism: Re-examining the case for the Baroque', suppor...
Between 1880 and 1930, European and American modernists connected to the theater became fascinated w...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
The historiography of the baroque has involved concepts and periodization drawn from religious and p...
My thesis centers around the painter Piet Mondrian and a prophetic position that he held at the end ...
The political element in art history has often played a crucial role and has been individuated as su...
Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a t...
This dissertation examines how the foundational principles of architectural design are influenced an...
Baroque needs to be thought across chronological and geographical divides to connect architecture an...
oai:ojs.pkp.sfu.ca:article/518This article discusses three aesthetics which go against the understan...
Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New ...
The Baroque is back in contemporary culture. The ten essays authored by international scholars, and ...
This dissertation explores the rich interplay between architecture and art historical research that ...
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between th...
Juhan Maiste: Kadriorg: the Spirit of Baroque and the Willof Genius. A Palace on the Edge of the Thi...
The Critical Appraisal, 'Abstraction after Modernism: Re-examining the case for the Baroque', suppor...
Between 1880 and 1930, European and American modernists connected to the theater became fascinated w...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
The historiography of the baroque has involved concepts and periodization drawn from religious and p...
My thesis centers around the painter Piet Mondrian and a prophetic position that he held at the end ...
The political element in art history has often played a crucial role and has been individuated as su...
Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a t...
This dissertation examines how the foundational principles of architectural design are influenced an...
Baroque needs to be thought across chronological and geographical divides to connect architecture an...
oai:ojs.pkp.sfu.ca:article/518This article discusses three aesthetics which go against the understan...
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