This investigation analyses the figure of the villain in the Spanish movies between 1982 y 2015. It focuses on four movies for each period, particularly the ones that have been more successful. It studies their villain's evolution, moral values, targets and relationship and differences with the main character. This paper shows that the figure of the villain has experienced important changes throughout these periods and that these have been influenciated by the social and cultural situation of Spain, as well as the narrative evolution of the archetype of the Shadow in film and television American fiction.Esta investigación tiene como objetivo analizar la figura del villano en el cine español entre 1982 y 2015. Se seleccionan las películas má...
This article explores the kind of fantasy characters of Mexican film between 1933 and 1969. The appe...
This paper defines masculinity models related to Andalucía in Spanish films of Francoism and continu...
El arquetipo de la femme fatale, pese a ser repudiado en la sociedad franquista, se importa en la ci...
This investigation analyses the figure of the villain in the Spanish movies between 198...
This investigation analyses the figure of the villain in the Spanish movies between 198...
The villain is one of the most outstanding narrative figures in contemporary cinema. Its increasingl...
Cinema is a product and agent of its time, and films about ETA and its victims are no exception. Mov...
La seducción a través del mal en las pantallas está siendo en los últimos años un recurso frecuente ...
This thesis seeks to develop a new framework for analysing portrayals of violence in recent Spanish ...
This thesis seeks to develop a new framework for analysing portrayals of violence in recent Spanish ...
Esta investigación tiene como objetivo analizar la figura del villano en el cine español entre 1982 ...
Esta investigación tiene como objetivo analizar la figura del villano en el cine español entre 1982 ...
As part of a research project that examines the 200 most popular films during the Late-Francoist Spa...
Nos acercamos al cine popular del tardofranquismo, del que estudiamos las 200 películas más taquille...
Nos acercamos al cine popular del tardofranquismo, del que estudiamos las 200 películas más taquille...
This article explores the kind of fantasy characters of Mexican film between 1933 and 1969. The appe...
This paper defines masculinity models related to Andalucía in Spanish films of Francoism and continu...
El arquetipo de la femme fatale, pese a ser repudiado en la sociedad franquista, se importa en la ci...
This investigation analyses the figure of the villain in the Spanish movies between 198...
This investigation analyses the figure of the villain in the Spanish movies between 198...
The villain is one of the most outstanding narrative figures in contemporary cinema. Its increasingl...
Cinema is a product and agent of its time, and films about ETA and its victims are no exception. Mov...
La seducción a través del mal en las pantallas está siendo en los últimos años un recurso frecuente ...
This thesis seeks to develop a new framework for analysing portrayals of violence in recent Spanish ...
This thesis seeks to develop a new framework for analysing portrayals of violence in recent Spanish ...
Esta investigación tiene como objetivo analizar la figura del villano en el cine español entre 1982 ...
Esta investigación tiene como objetivo analizar la figura del villano en el cine español entre 1982 ...
As part of a research project that examines the 200 most popular films during the Late-Francoist Spa...
Nos acercamos al cine popular del tardofranquismo, del que estudiamos las 200 películas más taquille...
Nos acercamos al cine popular del tardofranquismo, del que estudiamos las 200 películas más taquille...
This article explores the kind of fantasy characters of Mexican film between 1933 and 1969. The appe...
This paper defines masculinity models related to Andalucía in Spanish films of Francoism and continu...
El arquetipo de la femme fatale, pese a ser repudiado en la sociedad franquista, se importa en la ci...