This interview was conducted by e‑mail between November 20th and December 10th 2003, in the wake of Steven Millhauser’s readings in Paris Marc Chénetier: Could I begin by asking you how you see the place the collection The Knife‑Thrower occupies in your work, not in terms of chronology, even though its composition is not itself entirely chronological, but in terms of its relative importance, thematically and/or formally? Steven Millhauser: I’m almost superstitiously reluctant to comment on th..
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
The present selection is composed of three articles (on Dawn Raffel, Shelley Jackson and Matthew Der...
In interviews, all forms of authorized narratives become condensed: those of the figure of the artis...
“The interview”, notes Walter Benjamin in his “Conversation with Gide”, “that form that has been ado...
International audienceNot unlike Hawthorne’s romances, the tales of Steven Millhauser favor the neut...
La carrière discontinue et la production littéraire minime de Henry Roth explique que sa biographie ...
International audienceNot unlike Hawthorne’s romances, the tales of Steven Millhauser favor the neut...
The first in a series of scientific events to be devoted to the exploration of “common places” (CAS ...
Interview Isabelle Moindrot. At the crossroads of literary theory and creation, your work keeps expl...
Géraldine Chouard: Thank you, Joel Meyerowitz, for granting us this interview on the occasion of the...
Nous nous proposons dans ces pages de procéder à l’étude d’une des nouvelles mexicaines de D. H. Law...
Géraldine Chouard: Thank you, Joel Meyerowitz, for granting us this interview on the occasion of the...
Historically, the first-person plural narrator has been rare in US fiction, and it is both enigmatic...
Historically, the first-person plural narrator has been rare in US fiction, and it is both enigmatic...
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
The present selection is composed of three articles (on Dawn Raffel, Shelley Jackson and Matthew Der...
In interviews, all forms of authorized narratives become condensed: those of the figure of the artis...
“The interview”, notes Walter Benjamin in his “Conversation with Gide”, “that form that has been ado...
International audienceNot unlike Hawthorne’s romances, the tales of Steven Millhauser favor the neut...
La carrière discontinue et la production littéraire minime de Henry Roth explique que sa biographie ...
International audienceNot unlike Hawthorne’s romances, the tales of Steven Millhauser favor the neut...
The first in a series of scientific events to be devoted to the exploration of “common places” (CAS ...
Interview Isabelle Moindrot. At the crossroads of literary theory and creation, your work keeps expl...
Géraldine Chouard: Thank you, Joel Meyerowitz, for granting us this interview on the occasion of the...
Nous nous proposons dans ces pages de procéder à l’étude d’une des nouvelles mexicaines de D. H. Law...
Géraldine Chouard: Thank you, Joel Meyerowitz, for granting us this interview on the occasion of the...
Historically, the first-person plural narrator has been rare in US fiction, and it is both enigmatic...
Historically, the first-person plural narrator has been rare in US fiction, and it is both enigmatic...
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
Les nouvelles de Steven Millhauser fourmillent de ce que l'auteur appelle, dans l'un de ses essais, ...
The present selection is composed of three articles (on Dawn Raffel, Shelley Jackson and Matthew Der...