Performance Art in China is a major work published by Robert Bernell, founder of Timezone 8 publishers and owner of a bookshop at Dashanzi in Beijing. Written by Thomas J. Berghuis, a young researcher who worked with the guidance of Australian Sinologist John Clark, this is the first book on a largely unknown subject, and consists of an introduction and eight chapters replete with often rare illustrations, an extensive chronology, an index highly useful for looking up artists’ names both in P..
Performance art (xingwei yishu) is characterized by exploiting the artist’s body as the medium of si...
From Publisher\u27s website: An exciting addition to Scribner\u27s World History program, the Encycl...
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the...
Lincot Emmanuel. Thomas J. Berghuis, Performance Art in China. In: Perspectives chinoises, n°102, 20...
The research study aims to raise questions about and gain new insights into the development of perfo...
This biographical dictionary of modern and contemporary Chinese artists of the twentieth and twenty-...
Christophe Comentale’s book is the first complete and annotated inventory of one hundred years of Ch...
Wu Hung, Making History: Wu Hung on Contemporary Art, Hong Kong, Time Zone 8, 2008. Wu Hung on Conte...
Exhibitions have always been at the heart of the modern art world. They are contested sites, where ...
Xiaoping, currently associate professor at Queens College, New York, says in his introduction that h...
This examination of recent art from China argues that the artist is increasingly returning the gaze,...
The last twenty years have witnessed profound changes in art history, the greatest of which stem fro...
Selected via open submission for the Artist Links Residency Scheme, Boggon undertook two research vi...
While Chinese authorities closely monitor artists, artistic venues and performances, they give free ...
Drège Jean-Pierre. Ming Wilson and Stacey Pierson (ed.), The Art of the Book in China, (Colloquies o...
Performance art (xingwei yishu) is characterized by exploiting the artist’s body as the medium of si...
From Publisher\u27s website: An exciting addition to Scribner\u27s World History program, the Encycl...
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the...
Lincot Emmanuel. Thomas J. Berghuis, Performance Art in China. In: Perspectives chinoises, n°102, 20...
The research study aims to raise questions about and gain new insights into the development of perfo...
This biographical dictionary of modern and contemporary Chinese artists of the twentieth and twenty-...
Christophe Comentale’s book is the first complete and annotated inventory of one hundred years of Ch...
Wu Hung, Making History: Wu Hung on Contemporary Art, Hong Kong, Time Zone 8, 2008. Wu Hung on Conte...
Exhibitions have always been at the heart of the modern art world. They are contested sites, where ...
Xiaoping, currently associate professor at Queens College, New York, says in his introduction that h...
This examination of recent art from China argues that the artist is increasingly returning the gaze,...
The last twenty years have witnessed profound changes in art history, the greatest of which stem fro...
Selected via open submission for the Artist Links Residency Scheme, Boggon undertook two research vi...
While Chinese authorities closely monitor artists, artistic venues and performances, they give free ...
Drège Jean-Pierre. Ming Wilson and Stacey Pierson (ed.), The Art of the Book in China, (Colloquies o...
Performance art (xingwei yishu) is characterized by exploiting the artist’s body as the medium of si...
From Publisher\u27s website: An exciting addition to Scribner\u27s World History program, the Encycl...
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the...