Since the middle of the twentieth century, artists have increasingly turned to a variety of new materials and techniques for art making. Many of these materials and techniques have produced objects that alter rapidly in appearance and require some level of intervention to enable their continued display. These works pose strong challenges to the fields of conservation and art history. There is often no codified method for conserving such works; further, the insistent but uneven rate of deterio..
Few topics polarize in a way like ‘the artist intent’ appears to do. In the conservation field, wher...
THE UNBEARABLE VARIABILITY OF MATTER: PLASTICS IN ART The preservation of modern and contemporary w...
As inherently changeable artworks, computer-based installations are amongst the most demanding when ...
Introduction “Since the middle of the twentieth century, artists have increasingly turned to a varie...
Much of the artwork that rose to prominence in the second half of the twentieth century took on nove...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
As artists have increasingly utilised materials and techniques, conservators have been presented wit...
The SNSF research project Performance: Conservation, Materiality, Knowledge, in collaboration with t...
none4noWhen working with products of contemporary art, one must consider traditional, innovative, an...
The paper explores the centrality of the physical art object in the field of contemporary art with r...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
Lizzie Frasco, College \u2709, Art History, Visual Studies Non-Traditional Methods for Non-Tradition...
The paper explores the central role of artworks in the field of contemporary art. It is based on an ...
The advancement of scientific conservation during the post-war period, coincided with a different ph...
Few topics polarize in a way like ‘the artist intent’ appears to do. In the conservation field, wher...
THE UNBEARABLE VARIABILITY OF MATTER: PLASTICS IN ART The preservation of modern and contemporary w...
As inherently changeable artworks, computer-based installations are amongst the most demanding when ...
Introduction “Since the middle of the twentieth century, artists have increasingly turned to a varie...
Much of the artwork that rose to prominence in the second half of the twentieth century took on nove...
Changing artistic practice is altering the way we interpret, conceive, conserve, collect and curate ...
As artists have increasingly utilised materials and techniques, conservators have been presented wit...
The SNSF research project Performance: Conservation, Materiality, Knowledge, in collaboration with t...
none4noWhen working with products of contemporary art, one must consider traditional, innovative, an...
The paper explores the centrality of the physical art object in the field of contemporary art with r...
In the 20th century the artists have introduced new materials in the creative process.The majority o...
A number of aspects and problems are discussed which refer to conservation and restoration in contem...
Lizzie Frasco, College \u2709, Art History, Visual Studies Non-Traditional Methods for Non-Tradition...
The paper explores the central role of artworks in the field of contemporary art. It is based on an ...
The advancement of scientific conservation during the post-war period, coincided with a different ph...
Few topics polarize in a way like ‘the artist intent’ appears to do. In the conservation field, wher...
THE UNBEARABLE VARIABILITY OF MATTER: PLASTICS IN ART The preservation of modern and contemporary w...
As inherently changeable artworks, computer-based installations are amongst the most demanding when ...