One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the past few years been receiving more attention at film festivals globally with films such as Breaking News (2004), Election I & II (2005-2006), Exiled (2006), The Mad Detective (2007), and most recently, Sparrow (2008). Sometimes referred to as the post-1997 poet of Hong Kong, To has a career that actually goes back as far as the 1980s, and as one of the few directors to keep up a high output even ..
THE 26th HONG KONG INTERNATIONAL FILM FESTIVAL (27 March - 7 April 2002) marked the first time the e...
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
Anyone who is interested in Hong Kong cinema must be familiar with one name: Chow Yun-fat (b. 1955)....
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
The most recent addition to the New Hong Kong Cinema Series published by Hong Kong University Press ...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
Since Ackbar Abbas theorized Hong Kong as a space of cultural ‘disappearance’ in the mid-1990s, crit...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Until recently, even the best informed cinephiles and scholars would have been hard pressed to name ...
SINCE 1985 THE HONG KONG INTERNATIONAL FILM FESTIVAL (HKIFF) has been the guardian of Asian cinema. ...
THE 26th HONG KONG INTERNATIONAL FILM FESTIVAL (27 March - 7 April 2002) marked the first time the e...
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
Anyone who is interested in Hong Kong cinema must be familiar with one name: Chow Yun-fat (b. 1955)....
Favraud Georges, Van Den Troost Kristof. Stephen Teo, Director in Action : Johnnie To and the Hong K...
Michael Ingham, an associate professor at Hong Kong’s Lingnan University, continues the work begun b...
Provides a comprehensive overview of Johnnie To's career, concentrating on his action films, th...
Follow the decline of Hong Kong cinema in the 90s, Johnnie To has found a way to adapt to the invasi...
The cinematic landscapes of both China and Hong Kong were significantly changed after CEPA, the Main...
The most recent addition to the New Hong Kong Cinema Series published by Hong Kong University Press ...
PTU is an underappreciated noir masterpiece by one of Hong Kong\u27s most prolific and commercially ...
REVERTING TOSOCIAL ORDER BY CONTAINMENT: JOHNNIE TO KEI-FUNG'S WHERE A GOOD MAN GOES The 1999 Hong K...
Since Ackbar Abbas theorized Hong Kong as a space of cultural ‘disappearance’ in the mid-1990s, crit...
Hong Kong has the world’s third largest film industry after Hollywood and Bollywood. For...
Until recently, even the best informed cinephiles and scholars would have been hard pressed to name ...
SINCE 1985 THE HONG KONG INTERNATIONAL FILM FESTIVAL (HKIFF) has been the guardian of Asian cinema. ...
THE 26th HONG KONG INTERNATIONAL FILM FESTIVAL (27 March - 7 April 2002) marked the first time the e...
1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG'S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai ...
Anyone who is interested in Hong Kong cinema must be familiar with one name: Chow Yun-fat (b. 1955)....