CFP THE EUROPEANNESS OF EUROPEAN CINEMA. King's College London, 4 June 2010.Areas of interest might include: pan-European production and distribution strategies; the label ‘Europe’ in film distribution and exhibition, including festival circuits; examples of films that engage with the idea of Europe; how particular national cinemas might simultaneously identify themselves as European; the issue of language, dubbing and subtitling; and how any of these questions might have shifted historically..
A particular focus in this paper is the delicate issue of possible over-production of European films...
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to ...
This paper examines the film distribution and exhibition sector in Europe. The general analysis of t...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
Presenting new and diverse scholarship, this wide-ranging collection of forty-three original chapter...
11th Annual Conference of the European Cinemas Research Forum, in conjunction with the Project on Eu...
Film International (published by Intellect, Bristol, UK) is dedicating a special journal issue to “M...
Although much research during the past decades highlight how European filmmakers negotiate European ...
This article discusses critical parameters and historical perceptions that have dominated the academ...
This book articulates a way of rethinking the study of European cinema that centres on students and ...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
The thesis describes a range of discourse on language in cinema as they have emerged in film recepti...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
A particular focus in this paper is the delicate issue of possible over-production of European films...
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to ...
This paper examines the film distribution and exhibition sector in Europe. The general analysis of t...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
Presenting new and diverse scholarship, this wide-ranging collection of forty-three original chapter...
11th Annual Conference of the European Cinemas Research Forum, in conjunction with the Project on Eu...
Film International (published by Intellect, Bristol, UK) is dedicating a special journal issue to “M...
Although much research during the past decades highlight how European filmmakers negotiate European ...
This article discusses critical parameters and historical perceptions that have dominated the academ...
This book articulates a way of rethinking the study of European cinema that centres on students and ...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
The thesis describes a range of discourse on language in cinema as they have emerged in film recepti...
The present report deals with the overarching question whether one can sensibly speak of a (united) ...
A particular focus in this paper is the delicate issue of possible over-production of European films...
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to ...
This paper examines the film distribution and exhibition sector in Europe. The general analysis of t...