Add to ORKG"Film's hold on the twentieth century has changed the kind of documents historians have at their disposal, has enriched historiography, and has redefined such elemental historical notions as temporality. Whatever the twenty-first century may have in store, film and its allied new media will be essential to its history and to our historical imaginations" Vanessa R. Schwartz, "Film and History", in James Donald, Michael Renov, Film Studies, Sage Publications Ltd., 2008, p. 213 Dans cet article ..
What is authenticity in the 21st century? – The practice-based research project “Toward a poetics of...
In an age where audiovisual media have come to dominate practically every layer of communication, hi...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
"Film's hold on the twentieth century has changed the kind of documents historians have at their dis...
The relationship between film and history has assumed many and varied forms over the course of time....
The relationship between film and history has assumed many and varied forms over the course of time....
Exploring the present in form of history: remarks on the emancipatory potential of time-relations in...
In their introduction to a recent collection of essays by British film historians, James Chapman, Ma...
Historical time and time of the cinema, Christian Delage. The filmmaker reconstructs the past rather...
Methodology of New Film HistoryThe article deals with the specifi city of modern historiographic met...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
In less than a century the motion picture has grown from oblivion to one of the most powerful social...
In the late nineteenth century, numerous texts began to address kinematography as something with a h...
How is film changing? What does it do, and what do we do with it? This book examines the reasons why...
This article gives a brief overview of the present state of studies in Early Cinema (roughly, the pe...
What is authenticity in the 21st century? – The practice-based research project “Toward a poetics of...
In an age where audiovisual media have come to dominate practically every layer of communication, hi...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
"Film's hold on the twentieth century has changed the kind of documents historians have at their dis...
The relationship between film and history has assumed many and varied forms over the course of time....
The relationship between film and history has assumed many and varied forms over the course of time....
Exploring the present in form of history: remarks on the emancipatory potential of time-relations in...
In their introduction to a recent collection of essays by British film historians, James Chapman, Ma...
Historical time and time of the cinema, Christian Delage. The filmmaker reconstructs the past rather...
Methodology of New Film HistoryThe article deals with the specifi city of modern historiographic met...
In order to bridge the gap between history and film history as academic disciplines, for both fields...
In less than a century the motion picture has grown from oblivion to one of the most powerful social...
In the late nineteenth century, numerous texts began to address kinematography as something with a h...
How is film changing? What does it do, and what do we do with it? This book examines the reasons why...
This article gives a brief overview of the present state of studies in Early Cinema (roughly, the pe...
What is authenticity in the 21st century? – The practice-based research project “Toward a poetics of...
In an age where audiovisual media have come to dominate practically every layer of communication, hi...
In order to bridge the gap between history and film history as academic disciplines, for both fields...