Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a group of films largely concerned with the Sri Lankan armed conflict. This event will feature the most recent manifestations of a film movement called the "third revolution," whose concerns have revolved around the socio-political transformations brought about by three decades of civil war. Together this new wave of filmmakers represented by Pradeepan Raveendran, Suba Sivakumaran, and Sanjeewa P..
POLITICS AND GOVERNMENT in Southeast Asia changed dramatically over the last twenty-five years, from...
Documentary film is a popular resource amongst peacebuilding organisations and practitioners. Despit...
Ingirunthu (Here and Now), my first feature film, is on the Plantation Tamil community. It is a stor...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Thursday, 11 October Preconference on Sri Lankan Cinema and Its Diaspora Sponsored by the American I...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
ONE LEAGUE OF SOCIAL CONSCIOUSNESS: CONVERSATION WITH SRI LANKAN DIRECTOR DHARMASENA PATHIRAJA He ha...
TAMIL cinema in Sri Lanka, it may be argued, is yet to grow beyond its nascent stage. While thousand...
This paper examines in what practical ways encounters with people theatre as one form of cultural mo...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
The Sinhalese felt the war is over and terrorism defeated, so what was there to talk about? The Tami...
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does...
Friends, It's nearly time to make travel plans for the Madison South Asia Conference in October and ...
We would like to warmly thanks Dr Vilasnee TAMPOE-HAUTIN, Senior Lecturer at université de La Réunio...
POLITICS AND GOVERNMENT in Southeast Asia changed dramatically over the last twenty-five years, from...
Documentary film is a popular resource amongst peacebuilding organisations and practitioners. Despit...
Ingirunthu (Here and Now), my first feature film, is on the Plantation Tamil community. It is a stor...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Thursday, 11 October Preconference on Sri Lankan Cinema and Its Diaspora Sponsored by the American I...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
ONE LEAGUE OF SOCIAL CONSCIOUSNESS: CONVERSATION WITH SRI LANKAN DIRECTOR DHARMASENA PATHIRAJA He ha...
TAMIL cinema in Sri Lanka, it may be argued, is yet to grow beyond its nascent stage. While thousand...
This paper examines in what practical ways encounters with people theatre as one form of cultural mo...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
The Sinhalese felt the war is over and terrorism defeated, so what was there to talk about? The Tami...
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does...
Friends, It's nearly time to make travel plans for the Madison South Asia Conference in October and ...
We would like to warmly thanks Dr Vilasnee TAMPOE-HAUTIN, Senior Lecturer at université de La Réunio...
POLITICS AND GOVERNMENT in Southeast Asia changed dramatically over the last twenty-five years, from...
Documentary film is a popular resource amongst peacebuilding organisations and practitioners. Despit...
Ingirunthu (Here and Now), my first feature film, is on the Plantation Tamil community. It is a stor...