Among the works traditionally attributed to Bede, there is a known treatise called Musica Theorica whose authenticity had long been undisputed. It has only recently been discovered that the treatise is in fact nothing more than a collection of scholia added over the centuries to Boethius’ De Institutione Musica and gathered together at an unspecified time by one or more unknown commentator. An analysis of the philosophical and musicological content of the treatise, which until then had hardly attracted any attention whatsoever, actually highlights the apocryphal nature of the work. This is particularly evident with regard to the unconscious activity of the soul, the place given to the senses and even the harmony of the spheres, where one no...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
This thesis examines John Scotus Eriugena’s reading of Augustine’s De musica. It argues that materia...
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...
Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian ...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Anicius Manlius Severinus Boethius’ (c. 480-524) De Institutione Musica no longer represents the mus...
Colk Santosuosso Alma. Music in Bede's De temporum ratione: an 11th-Century Addition to MS London, B...
Robert Grosseteste incidentally transmitted the common passages on the generation of sound in On the...
Orientador: Patrícia PrataTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos...
This article examines the orientation of the grammatical culture of Bede through his sources for the...
Heinrich Baryphonus (1581-1655) and Heinrich Grimm’s (1592/3-1637) didactic treatise, Pleiades music...
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De instit...
Adam von Fulda, German musician, composer and teacher, completed his important treatise on music in...
Boethius’s De institutione musica, written in the sixth century C.E., became perhaps the most read m...
After an overview of the major inheritances of the Greek music theory in the Byzantine, Arab and Lat...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
This thesis examines John Scotus Eriugena’s reading of Augustine’s De musica. It argues that materia...
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...
Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian ...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Anicius Manlius Severinus Boethius’ (c. 480-524) De Institutione Musica no longer represents the mus...
Colk Santosuosso Alma. Music in Bede's De temporum ratione: an 11th-Century Addition to MS London, B...
Robert Grosseteste incidentally transmitted the common passages on the generation of sound in On the...
Orientador: Patrícia PrataTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos...
This article examines the orientation of the grammatical culture of Bede through his sources for the...
Heinrich Baryphonus (1581-1655) and Heinrich Grimm’s (1592/3-1637) didactic treatise, Pleiades music...
The theory of “music of the spheres” (musica mundana) introduced by Boethius in his treaty De instit...
Adam von Fulda, German musician, composer and teacher, completed his important treatise on music in...
Boethius’s De institutione musica, written in the sixth century C.E., became perhaps the most read m...
After an overview of the major inheritances of the Greek music theory in the Byzantine, Arab and Lat...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
This thesis examines John Scotus Eriugena’s reading of Augustine’s De musica. It argues that materia...
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...