DOIAbstract
At the 32nd Venice Biennale, the Museum of Modern Art which had been responsible for the American pavilion since 1948 handed it over to the United States Information Agency, which appointed Alan Salomon, then director of the Jewish Museum, to curate it. Salomon focused his choices on four artists reckoned to be typical of the 1955-1960 period, two of the artists supported by Clement Greenberg (Morris Louis and Kenneth Noland), the other two belonging to the Leo Castelli gallery (Jaspers Johns..
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