L’Art contemporain et la Côte d’Azur: this title might be somewhat perplexing, were it not embellished by a subtitle: un territoire pour l’expérimentation 1951-2011, which, as if by surprise, shifts the initially dreaded tourist angle. What do we have here? We have a hybrid object. Not a real catalogue, even though it is generously illustrated and published in tandem with a series of exhibitions organized at the Villa Arson (Nice), the Château de Villeneuve/Fondation Emile Hugues (Vence), the..
Version n'intégrant pas les dernières corrections.International audienceThe Quai Branly Museum is de...
The International Surrealist Exhibition of 1938 is viewed as a foil to the fin de siècle world fairs...
Are we witnessing an attack of fleeting guilty conscience, or a harbinger of readjustment? African a...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The Exhibition Trésors des églises de France, February 5th - May 24th, 1 965 : Which Projection ? ...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
Le musée, on le sait, occupe depuis quelques années une place centrale dans le monde de l’art, notam...
La Subversion des images was an aggressive exhibition, an overwhelming assault on the senses, the cu...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
“Eastern Europe doesn’t exist any longer” : the opening statement of the curators’ text for the exhi...
June 21st, 2006, saw the birth, in Paris, of the Quai Branly Museum. This brand new Seine-side insti...
Version n'intégrant pas les dernières corrections.International audienceThe Quai Branly Museum is de...
The International Surrealist Exhibition of 1938 is viewed as a foil to the fin de siècle world fairs...
Are we witnessing an attack of fleeting guilty conscience, or a harbinger of readjustment? African a...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The Exhibition Trésors des églises de France, February 5th - May 24th, 1 965 : Which Projection ? ...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
Le musée, on le sait, occupe depuis quelques années une place centrale dans le monde de l’art, notam...
La Subversion des images was an aggressive exhibition, an overwhelming assault on the senses, the cu...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
“Eastern Europe doesn’t exist any longer” : the opening statement of the curators’ text for the exhi...
June 21st, 2006, saw the birth, in Paris, of the Quai Branly Museum. This brand new Seine-side insti...
Version n'intégrant pas les dernières corrections.International audienceThe Quai Branly Museum is de...
The International Surrealist Exhibition of 1938 is viewed as a foil to the fin de siècle world fairs...
Are we witnessing an attack of fleeting guilty conscience, or a harbinger of readjustment? African a...