Curated by Serge Lemoine, who has managed to bring a wide range of viewpoints to bear upon his project, the exhibition, De Puvis de Chavannes à Matisse et Picasso, at the Palazzo Grassi sheds abundant light on an issue that has forever been exercising historians, even though, as far as the 19th century is concerned, it has been somewhat back-burnered. The issue of evolution has always been the real proof of the means and methods of art history, especially when the terms of evolution tend to a..
“Why exhibit an artist who committed suicide in 1980 in a venue dedicate to emerging artists?” This ...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
Cubisme et culture refers as much to the French colonial adventure, when its authors, Antliff and Le...
Roland Recht’s inaugural lesson, in fifty dense and elegant pages, punctuated by enlightening quotat...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.Inc...
In what way might the new classicism gain support from evolutionary theory? My rough answer is that ...
The monographic exhibition organized by the museum of modern and contemporary art in Nice would seem...
For visual arts criticism, there was a moment when it was thinkable that the value construction para...
“Why exhibit an artist who committed suicide in 1980 in a venue dedicate to emerging artists?” This ...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
Cubisme et culture refers as much to the French colonial adventure, when its authors, Antliff and Le...
Roland Recht’s inaugural lesson, in fifty dense and elegant pages, punctuated by enlightening quotat...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.Inc...
In what way might the new classicism gain support from evolutionary theory? My rough answer is that ...
The monographic exhibition organized by the museum of modern and contemporary art in Nice would seem...
For visual arts criticism, there was a moment when it was thinkable that the value construction para...
“Why exhibit an artist who committed suicide in 1980 in a venue dedicate to emerging artists?” This ...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
Cubisme et culture refers as much to the French colonial adventure, when its authors, Antliff and Le...