The simultaneous publication of a history of photography by the publishers Citadelles & Mazenod, and the book devoted to the photographic collections at the Centre Pompidou marks a new historiographical stage, after an initial summary of historical and heritage-related knowledge produced in the mid-1990s with the publication of the Nouvelle Histoire de la Photographie edited by Michel Frizot (Adam Biro; Bordas, 1994) and the inventory of the Beaubourg’s modern photography collections (Centre ..
The inaugural issue of Études Photographiques appeared in November 1996. With its fiscal troubles b...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
Cette thèse traite des rapports noués entre le livre et la photographie en France au cours du dernie...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The intellectual fetishism, in which photojournalism is nowadays swathed, gives rise to an effect of...
After a three-year interruption, the « Rayon photo » collection put together by André Rouillé for Éd...
Photography is part and parcel of the history of Surrealism, and a far-reaching and active part of t...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
Like a sign of vitality, the history of photography investigates its classics. In La Mission héliogr...
The commemorative signs of the centenary of Jean Dubuffet’s birth are somewhat surprising. An impres...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
“Are, bure, boke” –literally “rough, blurry, grainy”–, three words around which the history of postw...
The inaugural issue of Études Photographiques appeared in November 1996. With its fiscal troubles b...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
Cette thèse traite des rapports noués entre le livre et la photographie en France au cours du dernie...
Twenty-four years after Explosante-fixe: photographie et Surréalisme, brainchild of Rosalind Krauss,...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The intellectual fetishism, in which photojournalism is nowadays swathed, gives rise to an effect of...
After a three-year interruption, the « Rayon photo » collection put together by André Rouillé for Éd...
Photography is part and parcel of the history of Surrealism, and a far-reaching and active part of t...
It was not until 1977, when the Musée National d’Art Moderne moved to the Centre Pompidou, and 1978,...
This publication goes hand-in-hand with the inaugural exhibition celebrating the re-opening of the V...
Like a sign of vitality, the history of photography investigates its classics. In La Mission héliogr...
The commemorative signs of the centenary of Jean Dubuffet’s birth are somewhat surprising. An impres...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
In 1991, the Archives de la critique d’art brought together various publishersand the contemporary a...
“Are, bure, boke” –literally “rough, blurry, grainy”–, three words around which the history of postw...
The inaugural issue of Études Photographiques appeared in November 1996. With its fiscal troubles b...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
Cette thèse traite des rapports noués entre le livre et la photographie en France au cours du dernie...