The cinema was born with neorealism.Giuseppe Bertolucci The word ”realism” is the most problematic in any discussion of cinema. Because the first principle of filmmaking is the photographic reproduction of something that exists—a street, a room, a face—and the putting of that photograph into motion, the idea that film has a close relationship to the physically real world is inescapable. On top of this come the claims of widely different filmmakers that the narratives they construct out of the..
Presentation given at the University of Waikato, New Zealand, as part of the Media Department's rese...
The language of film art, or the artistic language of cinematography, is not a separate kind of lang...
Film Studies has long consisted in the interpretation of a specific object (the technological medium...
The term realism has been put to almost as many uses in film theory as in philosophy. The basic id...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
none1noThe interest in the cinema's power of transfiguration gradually shifted, during the 1920s, fr...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
One of the peculiar characters of hyperrealism can be seen in the tension that emerges from the tran...
This paper will explore characteristics of images indispensable to social realities in contemporary ...
There are many ways in which filmgoing is like dreaming. The space and time of the film experience a...
the sepia picture goes full colour and begins to move. In the chronological history of ...
A close analysis of the specifically cinematographic procedure in Akira Kurosawa’s ‘Dream’ Crows rev...
Expanded cinema (YOUNGBLOOD, 1970) and expanded theory (MICHAUD, 2014) deal with cinema by its broa...
Abstract Dogma 95 is the name of the manifesto signed by Lars von Trier and Thomas Vinterberg twent...
Presentation given at the University of Waikato, New Zealand, as part of the Media Department's rese...
The language of film art, or the artistic language of cinematography, is not a separate kind of lang...
Film Studies has long consisted in the interpretation of a specific object (the technological medium...
The term realism has been put to almost as many uses in film theory as in philosophy. The basic id...
Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their vis...
none1noThe interest in the cinema's power of transfiguration gradually shifted, during the 1920s, fr...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
One of the peculiar characters of hyperrealism can be seen in the tension that emerges from the tran...
This paper will explore characteristics of images indispensable to social realities in contemporary ...
There are many ways in which filmgoing is like dreaming. The space and time of the film experience a...
the sepia picture goes full colour and begins to move. In the chronological history of ...
A close analysis of the specifically cinematographic procedure in Akira Kurosawa’s ‘Dream’ Crows rev...
Expanded cinema (YOUNGBLOOD, 1970) and expanded theory (MICHAUD, 2014) deal with cinema by its broa...
Abstract Dogma 95 is the name of the manifesto signed by Lars von Trier and Thomas Vinterberg twent...
Presentation given at the University of Waikato, New Zealand, as part of the Media Department's rese...
The language of film art, or the artistic language of cinematography, is not a separate kind of lang...
Film Studies has long consisted in the interpretation of a specific object (the technological medium...