Add to ORKGThe Book of Judith and its controversial protagonist were much in evidence in sixteenth- and seventeenth-century Italian culture. For art historians, the foremost examples are the now iconic easel paintings of Caravaggio and Artemisia Gentileschi, images whose implacable vehemence commands attention. But if we look beyond the borders of secular patronage, we find a less familiar yet fully contingent world of contemporary Judithic imagery. It proclaims her rhetorical appropriation by the Catho..
In the centuries leading to the Counter-Reformation in Italy, literature and art were platforms in w...
Focusing on the visual constructions and pictorial representations of the biblical character of Judi...
This study takes as its starting point the artist's elusive pictorial surfaces in order to address c...
Note portant sur l'auteur * In the almost thousand years of Judith imagery between the sculptures an...
The Apocryphal heroine Judith emerged into a full-fledged subject in Renaissance art. My presentatio...
Judith is a brave female biblical heroine that performs the courageous act of decapitating Holoferne...
The Biblical Judith was written over 2,000 years ago and has become elemental material for artists a...
In the controversial interpretation of the prohibition of using figures imposed by Moses, critical l...
none1noThis book focuses on the historical power of images between Middle Ages and the XVIth century...
Summary The painting Judith and the maidservant with the head of Holofernes (oil on canvas, 136 x 15...
From the Quattrocento onward, the story of Judith often inspired Italian writers and artists to prod...
Judith, the biblical heroine who seduced and then beheaded an Assyrian general, clearly seized the i...
The Biblical Judith was written over 2,000 years ago and has become elemental material for artists a...
Because generally Italian Renaissance art was intellectually dependent on textual authority, it has ...
Artemisia Gentileschi's self-portrait, Allegory of Painting, painted in 1630, has activated a comple...
In the centuries leading to the Counter-Reformation in Italy, literature and art were platforms in w...
Focusing on the visual constructions and pictorial representations of the biblical character of Judi...
This study takes as its starting point the artist's elusive pictorial surfaces in order to address c...
Note portant sur l'auteur * In the almost thousand years of Judith imagery between the sculptures an...
The Apocryphal heroine Judith emerged into a full-fledged subject in Renaissance art. My presentatio...
Judith is a brave female biblical heroine that performs the courageous act of decapitating Holoferne...
The Biblical Judith was written over 2,000 years ago and has become elemental material for artists a...
In the controversial interpretation of the prohibition of using figures imposed by Moses, critical l...
none1noThis book focuses on the historical power of images between Middle Ages and the XVIth century...
Summary The painting Judith and the maidservant with the head of Holofernes (oil on canvas, 136 x 15...
From the Quattrocento onward, the story of Judith often inspired Italian writers and artists to prod...
Judith, the biblical heroine who seduced and then beheaded an Assyrian general, clearly seized the i...
The Biblical Judith was written over 2,000 years ago and has become elemental material for artists a...
Because generally Italian Renaissance art was intellectually dependent on textual authority, it has ...
Artemisia Gentileschi's self-portrait, Allegory of Painting, painted in 1630, has activated a comple...
In the centuries leading to the Counter-Reformation in Italy, literature and art were platforms in w...
Focusing on the visual constructions and pictorial representations of the biblical character of Judi...
This study takes as its starting point the artist's elusive pictorial surfaces in order to address c...