A truly dense and elaborate collection, the Dynamics and Performativity of Imagination: The Image between the Visible and the Invisible is an anthology of interdisciplinary essays covering themes of imagination, creativity and the image, both material and mental, under perspectives and spectrums that are as diverse as the fields intersecting in the analyses. Indeed, the multifarious philosophical commitments and domains of the authors contributing to this anthology results in a compilation of..
Interest in imagination dates back to Plato and Aristotle, but full-length works have been devoted t...
The trajectory of Edmund Husserl"™s thought on "œphantasy" points toward a de-emphasis of both perce...
Imagination is one of the most distinctive characteristics of human thought. The supreme powers of f...
The astounding capacity for the human imagination to be engaged across a wide range of contexts is l...
The paper is an introduction to the third issue of the Journal for the Philosophy of Language, Mind ...
This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role th...
University of Minnesota Ph.D. dissertation. May 2019. Major: French. Advisor: Christophe Wall-Romana...
[Pre-peer review draft available to download.] Our imaginative capacities shape the making of images...
Alain (Émile Chartier), 1920: Système des beaux-arts, Paris, Gallimard, 1920. Burdea, G.C., Coiffet ...
The aim of the article is to argue against the claim that Edmund Husserl does not adequately disting...
This paper returns to the work of Alfred Gell and his ground-breaking essays on theanthropology of a...
How do artists share, translate, reveal their imagination by using different semiotic systems; how c...
I argue that literary studies can contribute to the “imagery debate” (between pictorialist, proposit...
One of the major topics of Ann Ulanov’s work is that of the imagination, particularly the “life of t...
Commissioned catalogue essay for rAndom International, Studies in Motion, Lunds Konsthall, Sweden, 2...
Interest in imagination dates back to Plato and Aristotle, but full-length works have been devoted t...
The trajectory of Edmund Husserl"™s thought on "œphantasy" points toward a de-emphasis of both perce...
Imagination is one of the most distinctive characteristics of human thought. The supreme powers of f...
The astounding capacity for the human imagination to be engaged across a wide range of contexts is l...
The paper is an introduction to the third issue of the Journal for the Philosophy of Language, Mind ...
This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role th...
University of Minnesota Ph.D. dissertation. May 2019. Major: French. Advisor: Christophe Wall-Romana...
[Pre-peer review draft available to download.] Our imaginative capacities shape the making of images...
Alain (Émile Chartier), 1920: Système des beaux-arts, Paris, Gallimard, 1920. Burdea, G.C., Coiffet ...
The aim of the article is to argue against the claim that Edmund Husserl does not adequately disting...
This paper returns to the work of Alfred Gell and his ground-breaking essays on theanthropology of a...
How do artists share, translate, reveal their imagination by using different semiotic systems; how c...
I argue that literary studies can contribute to the “imagery debate” (between pictorialist, proposit...
One of the major topics of Ann Ulanov’s work is that of the imagination, particularly the “life of t...
Commissioned catalogue essay for rAndom International, Studies in Motion, Lunds Konsthall, Sweden, 2...
Interest in imagination dates back to Plato and Aristotle, but full-length works have been devoted t...
The trajectory of Edmund Husserl"™s thought on "œphantasy" points toward a de-emphasis of both perce...
Imagination is one of the most distinctive characteristics of human thought. The supreme powers of f...