The Islamic Manuscript Association, in collaboration with the Royal Asiatic Society of Great Britain and Ireland, is pleased to announce a lecture by Professor Owen Wright entitled 'Music in Words: the Manuscript Tradition of the Middle East'. Owen Wright is Research Professor of Musicology of the Middle East at the School of Oriental and African Studies, and has published widely on this subject. This free public lecture will offer an introduction to the study of Middle Eastern musical manusc..
The Islamic Manuscript Association, together with the Thesaurus Islamicus Foundation, Cambridge Univ...
The book was the outcome of a Doctorate in the Philosphy of Music. The book was called "The World A...
The art of music is not alien to Islam. Many Muslim scholars have written about it and some were eve...
This volume of original essays is dedicated to Owen Wright in recognition of his formative contribut...
Music transcends language. It can put forth emotions of deep sorrow or ecstatic joy whether the lang...
This article was first published in a journal by the project CILE and has now been repackaged and ma...
The word 'tradition' is so common that its meaning seems self-evident. Without a precise definition ...
A Persian manuscript from the eighteenth century, comprising three texts: a treatise on prosody wtih...
What can we learn about the Intellectual history of the pre-modern Islamic world by examining the sc...
Before the Printed Word: Texts, Scribes and Transmission A Symposium on Manuscript Collections House...
Among the many oral/aural methods of music teaching that developed in the vast Islamic Art Music (ma...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
The theoretical views of Oriental scholars were formed on the basis of existing experience in the pe...
In this article I shall study the nature, process, and problems of oral transmission in Arabic music...
People appear to have a natural disposition toward music. Although music’s presence is evident in al...
The Islamic Manuscript Association, together with the Thesaurus Islamicus Foundation, Cambridge Univ...
The book was the outcome of a Doctorate in the Philosphy of Music. The book was called "The World A...
The art of music is not alien to Islam. Many Muslim scholars have written about it and some were eve...
This volume of original essays is dedicated to Owen Wright in recognition of his formative contribut...
Music transcends language. It can put forth emotions of deep sorrow or ecstatic joy whether the lang...
This article was first published in a journal by the project CILE and has now been repackaged and ma...
The word 'tradition' is so common that its meaning seems self-evident. Without a precise definition ...
A Persian manuscript from the eighteenth century, comprising three texts: a treatise on prosody wtih...
What can we learn about the Intellectual history of the pre-modern Islamic world by examining the sc...
Before the Printed Word: Texts, Scribes and Transmission A Symposium on Manuscript Collections House...
Among the many oral/aural methods of music teaching that developed in the vast Islamic Art Music (ma...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
The theoretical views of Oriental scholars were formed on the basis of existing experience in the pe...
In this article I shall study the nature, process, and problems of oral transmission in Arabic music...
People appear to have a natural disposition toward music. Although music’s presence is evident in al...
The Islamic Manuscript Association, together with the Thesaurus Islamicus Foundation, Cambridge Univ...
The book was the outcome of a Doctorate in the Philosphy of Music. The book was called "The World A...
The art of music is not alien to Islam. Many Muslim scholars have written about it and some were eve...