This is the text of a five-minute presentation I recently gave as a training exercise at Cambridge. Since it was for a non-specialist audience, and had to be kept both short and clear, I thought it would make a great blog post. Enjoy. Introduction Two observations. The performances of the eighteenth-century actor David Garrick were praised as a “commentary” on Shakespeare's playtext; however, thirty years after Garrick's retirement, romantic critics such as Hazlitt and Lamb wrote that Shakesp..
This dissertation attempts to clarify some aspects of the operation of speech acts as they relate to...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
This article examines three texts published between 1775 and 1840 that attempt to model an ideal rea...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This post is dedicated to the various passages found in those papers of David Garrick and William Sm...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
The English drama and literary critic William Hazlitt (1778-1830) made criticism a kind of creative...
Subjects the current assumption that Shakespeare's texts are theater scripts to what is know about t...
A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of lit...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
This submission draws upon a range of evidence to account for the non-verbal features of theatrical ...
The essay analyses the notions of “natural” and “original” in relation to the reception of Shakespea...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Two men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Lauren...
This dissertation attempts to clarify some aspects of the operation of speech acts as they relate to...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
This article examines three texts published between 1775 and 1840 that attempt to model an ideal rea...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This post is dedicated to the various passages found in those papers of David Garrick and William Sm...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
The English drama and literary critic William Hazlitt (1778-1830) made criticism a kind of creative...
Subjects the current assumption that Shakespeare's texts are theater scripts to what is know about t...
A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of lit...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
This submission draws upon a range of evidence to account for the non-verbal features of theatrical ...
The essay analyses the notions of “natural” and “original” in relation to the reception of Shakespea...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
Two men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Lauren...
This dissertation attempts to clarify some aspects of the operation of speech acts as they relate to...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
This article examines three texts published between 1775 and 1840 that attempt to model an ideal rea...