Berra, J.1 (2013) Urban China on screen: the sixth generation and the postsocialist cinematic city. Geography Compass. 7 (8) pp.588–596. DOI: 10.1111/gec3.12061 This article will consider the relationship between the city and the cinema with regard to the films of China's ‘Sixth Generation’, a group of filmmakers who mostly graduated from the Beijing Film Academy in the late 1980s and proceeded to make films on the subject of their nation's urban fabric. These are films which utilise city ..
My thesis concentrates on the representation of urban space in contemporary Chinese neo-noir, to exa...
An analysis of the female characters in Chinese Box, Center Stage, Suzhou River and The World as all...
The purpose of this thesis is to examine the Sixth Generation of Chinese cinema. Specifically what c...
In the transition from the socialist system to the postsocialist system since 1978, thousands of Chi...
The process of Chinese socio-economic transformation launched by the policy of reforms in 1978 has s...
After World War II, Chinese films shot in Taiwan and Hong Kong began to play a significant role cons...
This chapter explores the cinematic representation of the socio-spatial (re)production of publicness...
This thesis focuses on the role that cities occupy in films, on the urban traits they project, and o...
This article analyzes the relationship between one of the most important cultural forms – cinema – a...
In David Frisby's work on cityscapes of modernity, he asserts the theme of twentieth century Europea...
This study explores the cinematic representation of socio-spatial practices by ordinary people in co...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
Through a renewed emphasis on individual entrepreneurial freedoms, neoliberalism promises an economy...
This dissertation investigates some literary configurations of Beijing through contemporary Chinese ...
This article analyzes the relationship between one of the most important cultural forms – cinema – a...
My thesis concentrates on the representation of urban space in contemporary Chinese neo-noir, to exa...
An analysis of the female characters in Chinese Box, Center Stage, Suzhou River and The World as all...
The purpose of this thesis is to examine the Sixth Generation of Chinese cinema. Specifically what c...
In the transition from the socialist system to the postsocialist system since 1978, thousands of Chi...
The process of Chinese socio-economic transformation launched by the policy of reforms in 1978 has s...
After World War II, Chinese films shot in Taiwan and Hong Kong began to play a significant role cons...
This chapter explores the cinematic representation of the socio-spatial (re)production of publicness...
This thesis focuses on the role that cities occupy in films, on the urban traits they project, and o...
This article analyzes the relationship between one of the most important cultural forms – cinema – a...
In David Frisby's work on cityscapes of modernity, he asserts the theme of twentieth century Europea...
This study explores the cinematic representation of socio-spatial practices by ordinary people in co...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
Through a renewed emphasis on individual entrepreneurial freedoms, neoliberalism promises an economy...
This dissertation investigates some literary configurations of Beijing through contemporary Chinese ...
This article analyzes the relationship between one of the most important cultural forms – cinema – a...
My thesis concentrates on the representation of urban space in contemporary Chinese neo-noir, to exa...
An analysis of the female characters in Chinese Box, Center Stage, Suzhou River and The World as all...
The purpose of this thesis is to examine the Sixth Generation of Chinese cinema. Specifically what c...