Add to ORKGMolière as Julius Caesar, painted by Nicholas Mignard in 1658. This afterpiece, again by Fielding, is a translation-adaptation of Molière's Le médecin malgré lui. I don't know the Molière version well enough to give a good comparison, so will just make observations on this text while the memory of it is fresh. The plot is easy to relate: Gregory, a woodman, is forever getting into fights with his wife Dorcas; after being beaten by her husband, Dorcas takes her revenge by persuading two serva..
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Through Molière's works, we will focus on how secondary textbooks have decided to represent this aut...
Molière as Julius Caesar, painted by Nicholas Mignard in 1658. This afterpiece, again by Fielding, i...
The preface contains a short history of the different translations of Molière's works into English.T...
v. 1. Preface. Prefatory memoir. The blunderer. The love-tiff. The pretentious young ladies. Sganare...
3 v. fronts. (v. 1, port.) plates. 23 cm.v. 1. Preface. Prefatory memoir. The blunderer. The love-ti...
« Molière, Baroque »? Not so long ago, this statement itself might have seemed « baroque », in the s...
This note explores the early modern dramatic reception of two characters, Titus Labienus and Cassius...
[6], 299, [1] p.A translation of: Aelius Sejanus, histoire romaine.The title page is engraved.Transl...
Intelligent English men of the theatre, resident in France during the years which saw Moliere's triu...
In the seventeenth century, French theatre experienced a flourishing like no other. Molière, the Fat...
Am 1810 plate showing a scene from the German version of The Miser, 'Der Geizige'. This is Fielding'...
Muret's Julius Caesar, the first Latin tragedy of the French Renaissance on a subject drawn from Rom...
The fortune of Molière's theater on the Italian stage dates back to the second half of the 20th cent...
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Through Molière's works, we will focus on how secondary textbooks have decided to represent this aut...
Molière as Julius Caesar, painted by Nicholas Mignard in 1658. This afterpiece, again by Fielding, i...
The preface contains a short history of the different translations of Molière's works into English.T...
v. 1. Preface. Prefatory memoir. The blunderer. The love-tiff. The pretentious young ladies. Sganare...
3 v. fronts. (v. 1, port.) plates. 23 cm.v. 1. Preface. Prefatory memoir. The blunderer. The love-ti...
« Molière, Baroque »? Not so long ago, this statement itself might have seemed « baroque », in the s...
This note explores the early modern dramatic reception of two characters, Titus Labienus and Cassius...
[6], 299, [1] p.A translation of: Aelius Sejanus, histoire romaine.The title page is engraved.Transl...
Intelligent English men of the theatre, resident in France during the years which saw Moliere's triu...
In the seventeenth century, French theatre experienced a flourishing like no other. Molière, the Fat...
Am 1810 plate showing a scene from the German version of The Miser, 'Der Geizige'. This is Fielding'...
Muret's Julius Caesar, the first Latin tragedy of the French Renaissance on a subject drawn from Rom...
The fortune of Molière's theater on the Italian stage dates back to the second half of the 20th cent...
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Title within ornamental borders.v. 1. Introduction: Preface to the works of Molière, by H. de Balzac...
Through Molière's works, we will focus on how secondary textbooks have decided to represent this aut...