This text seeks to rethink the relationship between literature and citizenship or, more generally, identity. It does so by analysing two recent South-African novels i.e. J.M Coetzee’s Disgrace (1999) and Marlene van Niekerk’s Agaat (2006). Both Disgrace and Agaat are examples of how the singularity of great literary works needs an interdisciplinary approach that does justice to the way in which a novel is part of, and simultaneously co-constructs, the discourses on history, identity and citizenship
In this paper I argue that the post apartheid South Africa that is represented in Disgrace is a meta...
One year after the massive, five-volume Truth and Reconciliation Commission of South Africa Report a...
Marlene van Niekerk's 1994 Triomf is a plaasroman, or farm novel, without the farm; it formally rese...
This text seeks to rethink the relationship between literature and citizenship or, more generally, i...
This text seeks to rethink the relationship between literature and citizenship or, more generally, i...
This text seeks to rethink the relationship between literature and the gendered construction of nati...
Fredric Jameson's essay, "Third-World Literature in an Era of Multinational Capitalism," declares th...
The present paper is an attempt to investigate and throw some light on J. M. Coetzee’s celebrated no...
In John Maxwell Coetzee’s Disgrace (1999), some aspects of style are an implicit image of the uncert...
J.M. Coetzee is a South African novelist, critic and an active translator of Dutch and Afrikaans lit...
In a novel like Disgrace, where the primary concerns are with the difficulties of representation in ...
Nobel laureate, South African writer, J. M. Coetzee’s Disgrace is endowed with far reaching meanings...
South African novelist J.M. Coetzee has often been accused of refusing to engage with socio-politica...
Set in post-apartheid and post-Truth-and-Reconciliation South Africa, Coetzee’s Disgrace (1999) is a...
This paper is proposed to throw light on reciprocal and cultural conflict in the novel In the Heart ...
In this paper I argue that the post apartheid South Africa that is represented in Disgrace is a meta...
One year after the massive, five-volume Truth and Reconciliation Commission of South Africa Report a...
Marlene van Niekerk's 1994 Triomf is a plaasroman, or farm novel, without the farm; it formally rese...
This text seeks to rethink the relationship between literature and citizenship or, more generally, i...
This text seeks to rethink the relationship between literature and citizenship or, more generally, i...
This text seeks to rethink the relationship between literature and the gendered construction of nati...
Fredric Jameson's essay, "Third-World Literature in an Era of Multinational Capitalism," declares th...
The present paper is an attempt to investigate and throw some light on J. M. Coetzee’s celebrated no...
In John Maxwell Coetzee’s Disgrace (1999), some aspects of style are an implicit image of the uncert...
J.M. Coetzee is a South African novelist, critic and an active translator of Dutch and Afrikaans lit...
In a novel like Disgrace, where the primary concerns are with the difficulties of representation in ...
Nobel laureate, South African writer, J. M. Coetzee’s Disgrace is endowed with far reaching meanings...
South African novelist J.M. Coetzee has often been accused of refusing to engage with socio-politica...
Set in post-apartheid and post-Truth-and-Reconciliation South Africa, Coetzee’s Disgrace (1999) is a...
This paper is proposed to throw light on reciprocal and cultural conflict in the novel In the Heart ...
In this paper I argue that the post apartheid South Africa that is represented in Disgrace is a meta...
One year after the massive, five-volume Truth and Reconciliation Commission of South Africa Report a...
Marlene van Niekerk's 1994 Triomf is a plaasroman, or farm novel, without the farm; it formally rese...