Hugh MacDiarmid is sometimes still thought a parochial poet, mostly interested in the depiction of rural Scotland. However, in the 1930s, he wrote several poems about the city of Glasgow but his work on urban predicaments has been largely forgotten. In his Glasgow sequence, MacDiarmid, along with many other writers in the 30s, redefines Scotland as an urban nation. Post-industrial Glasgow urges the whole country to “re-write” itself and the canonical representation of rural Scotland to fade away. Scotland is mercilessly deconstructed in “Glasgow 1938”: Glasgow is no longer “a dear green place”, Scotland no longer a land of peasants but urban hell where filthy disease and dirty capitalism spread around, murdering creation and culture. The st...
International audienceFrom the beginning of the nineteenth century, there was a renewal of interest ...
In this article the author tries to estimate chances for the borderland of Upper Silesia created by...
Nicole Belmont, “ ‘Légendes populaires et fioritures savantes’: les archives de Robert Hertz sur sai...
Keats loved and admired Burns for his terrestrial art, his humour(s), his taste for food and wine, h...
As in many other avant-garde contexts in the early years of the twentieth century, little magazines ...
En septembre 1728, le portraitiste écossais John Smibert s’embarqua à bord d’un navire à destination...
La seconde partie du siècle des Lumières a été marquée par la publication en cascade de dictionnaire...
After the Union of 1707, many landowners who perceived the need for improvement participated in the ...
From the 1820s onwards, British art critics spoke of a Scottish school of art, which could be identi...
Bien que prise dans la tempête des luttes géo-politiques occasionnées par la Réforme et la contre-Ré...
Au sortir de la première guerre mondiale, John Brandane participe activement à la fondation du théât...
The purpose of this paper is to demonstrate how the Scottish elite, having taken advantage of opport...
C’est à Robert Owen, qui en fut le directeur de 1800 à 1825, que le village industriel modèle de New...
Robin Jenkins (1912-2005) is one of the most distinguished novelists of post war Britain. In a caree...
Over the years, the Scottish National Party has clearly emphasised the alienness of England’s ethos ...
International audienceFrom the beginning of the nineteenth century, there was a renewal of interest ...
In this article the author tries to estimate chances for the borderland of Upper Silesia created by...
Nicole Belmont, “ ‘Légendes populaires et fioritures savantes’: les archives de Robert Hertz sur sai...
Keats loved and admired Burns for his terrestrial art, his humour(s), his taste for food and wine, h...
As in many other avant-garde contexts in the early years of the twentieth century, little magazines ...
En septembre 1728, le portraitiste écossais John Smibert s’embarqua à bord d’un navire à destination...
La seconde partie du siècle des Lumières a été marquée par la publication en cascade de dictionnaire...
After the Union of 1707, many landowners who perceived the need for improvement participated in the ...
From the 1820s onwards, British art critics spoke of a Scottish school of art, which could be identi...
Bien que prise dans la tempête des luttes géo-politiques occasionnées par la Réforme et la contre-Ré...
Au sortir de la première guerre mondiale, John Brandane participe activement à la fondation du théât...
The purpose of this paper is to demonstrate how the Scottish elite, having taken advantage of opport...
C’est à Robert Owen, qui en fut le directeur de 1800 à 1825, que le village industriel modèle de New...
Robin Jenkins (1912-2005) is one of the most distinguished novelists of post war Britain. In a caree...
Over the years, the Scottish National Party has clearly emphasised the alienness of England’s ethos ...
International audienceFrom the beginning of the nineteenth century, there was a renewal of interest ...
In this article the author tries to estimate chances for the borderland of Upper Silesia created by...
Nicole Belmont, “ ‘Légendes populaires et fioritures savantes’: les archives de Robert Hertz sur sai...