Kahithe KIIRU, "Bomas of Kenya: Local Dances Put to the Test of the National Stage", Mambo! Vol. 12 (1), 2014. Introduction Anthropology of art, more specifically anthropology of musical and choreographic practices, has long focused its attention on forms and performances labelled as “authentic”. A large number of studies have considered as obvious the distinction between “authentic” dances (traditional, tribal, original) and “tourist” dances (folk or commercial). Targeting urban and foreign..
In African societies traditional dances are a form of cultural expression of emotional life occupyin...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...
NoAccording to my analysis of isukuti dance, as an illustrativeexample of BoK choreographic products...
NoAccording to my analysis of isukuti dance, as an illustrativeexample of BoK choreographic products...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
International audiencen the process of dance heritage creation in contemporary Kenya, an essential a...
International audiencen the process of dance heritage creation in contemporary Kenya, an essential a...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
In African societies traditional dances are a form of cultural expression of emotional life occupyin...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...
NoAccording to my analysis of isukuti dance, as an illustrativeexample of BoK choreographic products...
NoAccording to my analysis of isukuti dance, as an illustrativeexample of BoK choreographic products...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
International audiencen the process of dance heritage creation in contemporary Kenya, an essential a...
International audiencen the process of dance heritage creation in contemporary Kenya, an essential a...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
This article deals with the representation of Kenyan national identity through dance. It analyses th...
In African societies traditional dances are a form of cultural expression of emotional life occupyin...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...
International audienceKizino dance originates from the South-Western region of Uganda among the Baki...