One of the legacies of our last, violent century is how our reading of the literature of its formative period, the First World War and the rise of Modernism, is split between history and aesthetics, the “Georgian” war writers on one side and the Modernists on the other. As the “Men of 1914” the Modernists both emerged and were obliterated on the first year of war. Wyndham Lewis recalled how “It was, after all, a new civilisation that I—and a few other people—was making the blueprints for: the..
This research paper was completed and submitted at Nipissing University, and is made freely accessib...
As the title of the volume suggests, our interest is in how literature, culture and the First World ...
This presentation addressed the history of Lawrence during World War I. It was part of the Library’s...
This article provides a re-investigation of the war fiction of Wyndham Lewis and D.H. Lawrence, focu...
In a cultural context, the First World War has come to occupy an unusual existential point half-way ...
The aim of this paper is to show that World War I was a turning point in Lawrence\u2019s life and ar...
The literary magazine The New Age brought together a diverse set of intellectuals. Against the backd...
Modernist literary works frequently promote themselves as engineers of culture, shaping language and...
In his recent book War Trauma and English Modernism, Carl Krockel argues that Lawrence suffered from...
For the last century, historians of the conflict have not systematically used the poetry of the Firs...
In this paper I attemp to outline the centrality of visual images in Lawrence\u2019s work in the cru...
We argue that with the First World War, modernist poetry diverged into two distinct strands, each dr...
The following work is an exploration of the First World War as a social, cultural, and existential t...
The First World War is the background of this essay. One of the bloodiest and most violent historica...
This chapter takes its place in a huge new project on twentieth-century British and American war lit...
This research paper was completed and submitted at Nipissing University, and is made freely accessib...
As the title of the volume suggests, our interest is in how literature, culture and the First World ...
This presentation addressed the history of Lawrence during World War I. It was part of the Library’s...
This article provides a re-investigation of the war fiction of Wyndham Lewis and D.H. Lawrence, focu...
In a cultural context, the First World War has come to occupy an unusual existential point half-way ...
The aim of this paper is to show that World War I was a turning point in Lawrence\u2019s life and ar...
The literary magazine The New Age brought together a diverse set of intellectuals. Against the backd...
Modernist literary works frequently promote themselves as engineers of culture, shaping language and...
In his recent book War Trauma and English Modernism, Carl Krockel argues that Lawrence suffered from...
For the last century, historians of the conflict have not systematically used the poetry of the Firs...
In this paper I attemp to outline the centrality of visual images in Lawrence\u2019s work in the cru...
We argue that with the First World War, modernist poetry diverged into two distinct strands, each dr...
The following work is an exploration of the First World War as a social, cultural, and existential t...
The First World War is the background of this essay. One of the bloodiest and most violent historica...
This chapter takes its place in a huge new project on twentieth-century British and American war lit...
This research paper was completed and submitted at Nipissing University, and is made freely accessib...
As the title of the volume suggests, our interest is in how literature, culture and the First World ...
This presentation addressed the history of Lawrence during World War I. It was part of the Library’s...