In order to discuss humour in the media, the field has to be restricted to intentionally humorous output. This immediately excludes, as pointed out by Patrick Charaudeau and Anne-Marie Houdebine, the more general question of laughter and the laughable. Obviously, the recipient may not recognise the humorous intention (misappreciation), or not grasp it (incomprehension), or even reject it (normative reduction), for reasons we will discuss below. A further point is that humorous communication i..
International audienceThe aim of this article is to clarify the fuzzy notion of “successful humour”....
Through the analysis of advertisements, we demonstrate how certain types of humor summon ethics, but...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
http://cas.univ-tlse2.fr/accueil-cas/activites/colloques/le-theatre-anglophone-contemporain-et-les-n...
The paramount goal of this paper is to tease out a number of universal communicative phenomena which...
This paper attempts to offer a methodological contribution to media production research. By reconsid...
Humour has been deeply discussed and studied from a translative point of view, and the past few deca...
Humour research is often about verbal humour. Language allows us to play with words and with its syn...
In this article I explore the relationship between laugh responses and the turns which they orient t...
Première version d'un article soumis à la revue RSP. Une version remaniée a été acceptée. Numéro en ...
International audienceLaughter is pervasive in human conversation (more than 30k tokens in the dialo...
Humour found in audiovisual products is, of course, performative in nature. If we consider instances...
In order to examine the context of entertainment (through studying the particular form of television...
version française page 1 à 16 version anglaise page 17 à 36Through the analysis of advertisements, w...
International audienceThe aim of this article is to clarify the fuzzy notion of “successful humour”....
Through the analysis of advertisements, we demonstrate how certain types of humor summon ethics, but...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
http://cas.univ-tlse2.fr/accueil-cas/activites/colloques/le-theatre-anglophone-contemporain-et-les-n...
The paramount goal of this paper is to tease out a number of universal communicative phenomena which...
This paper attempts to offer a methodological contribution to media production research. By reconsid...
Humour has been deeply discussed and studied from a translative point of view, and the past few deca...
Humour research is often about verbal humour. Language allows us to play with words and with its syn...
In this article I explore the relationship between laugh responses and the turns which they orient t...
Première version d'un article soumis à la revue RSP. Une version remaniée a été acceptée. Numéro en ...
International audienceLaughter is pervasive in human conversation (more than 30k tokens in the dialo...
Humour found in audiovisual products is, of course, performative in nature. If we consider instances...
In order to examine the context of entertainment (through studying the particular form of television...
version française page 1 à 16 version anglaise page 17 à 36Through the analysis of advertisements, w...
International audienceThe aim of this article is to clarify the fuzzy notion of “successful humour”....
Through the analysis of advertisements, we demonstrate how certain types of humor summon ethics, but...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...