The rapid growth of the Federal Republic of Germany has often been attributed exclusively to the revival of its economy. The result has been to project the image of a country that, until the early 1960s, was overly prosaic and where art, predominantly abstract, was detached from the new state’s political and structural concerns. Yet in the area of photography, the birth of Photokina in Cologne in 1950 attests to the emergence of a close link between industry and photographic practice during the period of reconstruction. After 1945, a unified photography sector emerged in West Germany as a result of the concerted efforts of domestic firms and professional as well as amateur photographers
This historical study attempts to explore how advertising, from the perspective of the J. Walter Tho...
The 1896 Berliner Gewerbeausstellung was a transformative moment for city and nation alike. The exhi...
Thematic exhibitions, implying a heightened degree of historical awareness on the part of audiences,...
The rapid growth of the Federal Republic of Germany has often been attributed exclusively to the rev...
International audienceThe rapid growth of the Federal Republic of Germany has often been attributed ...
The rebuilt of photography in Western Germany between 1945 and the beginning of the sixties echoes t...
Photography in the Marketplace is not only a matter of industrial advertising photography, or corpor...
In 1993, the Eastern German company Verbundnetz Gas, an importer and distributor of natural gas, fin...
Photographien der Arbeitswelt während des Zweiten Kaiserreichs. Während des Zweiten Kaiserreichs unt...
This article examines images of Germany's “working world” in the 1930s and 1940s. Analyzing photos f...
The two decades following World War I witnessed the collapse of the international trade, capital flo...
In the introduction to this special issue on photography and German history, we outline current rese...
Among the archival records pertaining to the Berlin Head Office of the National Socialist Reich’s Ch...
International audienceEast: The History of a Corporate Commission and The History of a Region In 199...
The period 1880–1940 saw the world of French photography struggling against state procrastination in...
This historical study attempts to explore how advertising, from the perspective of the J. Walter Tho...
The 1896 Berliner Gewerbeausstellung was a transformative moment for city and nation alike. The exhi...
Thematic exhibitions, implying a heightened degree of historical awareness on the part of audiences,...
The rapid growth of the Federal Republic of Germany has often been attributed exclusively to the rev...
International audienceThe rapid growth of the Federal Republic of Germany has often been attributed ...
The rebuilt of photography in Western Germany between 1945 and the beginning of the sixties echoes t...
Photography in the Marketplace is not only a matter of industrial advertising photography, or corpor...
In 1993, the Eastern German company Verbundnetz Gas, an importer and distributor of natural gas, fin...
Photographien der Arbeitswelt während des Zweiten Kaiserreichs. Während des Zweiten Kaiserreichs unt...
This article examines images of Germany's “working world” in the 1930s and 1940s. Analyzing photos f...
The two decades following World War I witnessed the collapse of the international trade, capital flo...
In the introduction to this special issue on photography and German history, we outline current rese...
Among the archival records pertaining to the Berlin Head Office of the National Socialist Reich’s Ch...
International audienceEast: The History of a Corporate Commission and The History of a Region In 199...
The period 1880–1940 saw the world of French photography struggling against state procrastination in...
This historical study attempts to explore how advertising, from the perspective of the J. Walter Tho...
The 1896 Berliner Gewerbeausstellung was a transformative moment for city and nation alike. The exhi...
Thematic exhibitions, implying a heightened degree of historical awareness on the part of audiences,...