The decade since 9/11 has seen an accelerated circulation and enthusiastic reception of representations of Muslim women’s lives. Marketed as a vehicle of intercultural understanding within the context of the “war on terror”, these representations are neither random nor innocent but rather reflect and participate in a long Orientalist and imperialist history. Contributors to this volume examine the hegemonic and contested global production and reception of narrative and visual representations ..
Print media representation about Islam and Muslims has never been ideology free especially post 9/11...
The United States of America launched its war on terror in October, 2001. The war was declared both ...
The phenomenon of "suicide bombing" is not new, and yet the involvement of Muslim women in this viol...
A decade after the 9/11 attacks, educators concerned with social justice issues are faced with the q...
The mass media acts as a powerful informal curriculum on otherness, with Muslims currently in the st...
this timely collection illuminates the impact ''on the ground '' of popural neo orientalist represen...
Few women artists from the Muslim world(s) who live and work in the diaspora can talk about the way ...
This is the final version. Available from Cambridge University Press via the DOI in this record. In ...
This research examines the ways in which race, gender, and capital structure the "War on Terror" by ...
"Otherness, yes. But are we not always prey to otherness? …. All the time. The world is mistake...
This thesis aims to explore how illustrative storytelling can challenge the western stigma of Arab w...
Representations of Muslim women have been confined to a narrative of coercion and irrationality, whe...
Almost two decades after the terrorist attacks of 11 September, the Western media continues to portr...
This thesis materialized out of an urgency to legitimize more creative, plural, and curious ways of ...
Muslim women are often portrayed and perceived in a negative light in the dominant Western narrative...
Print media representation about Islam and Muslims has never been ideology free especially post 9/11...
The United States of America launched its war on terror in October, 2001. The war was declared both ...
The phenomenon of "suicide bombing" is not new, and yet the involvement of Muslim women in this viol...
A decade after the 9/11 attacks, educators concerned with social justice issues are faced with the q...
The mass media acts as a powerful informal curriculum on otherness, with Muslims currently in the st...
this timely collection illuminates the impact ''on the ground '' of popural neo orientalist represen...
Few women artists from the Muslim world(s) who live and work in the diaspora can talk about the way ...
This is the final version. Available from Cambridge University Press via the DOI in this record. In ...
This research examines the ways in which race, gender, and capital structure the "War on Terror" by ...
"Otherness, yes. But are we not always prey to otherness? …. All the time. The world is mistake...
This thesis aims to explore how illustrative storytelling can challenge the western stigma of Arab w...
Representations of Muslim women have been confined to a narrative of coercion and irrationality, whe...
Almost two decades after the terrorist attacks of 11 September, the Western media continues to portr...
This thesis materialized out of an urgency to legitimize more creative, plural, and curious ways of ...
Muslim women are often portrayed and perceived in a negative light in the dominant Western narrative...
Print media representation about Islam and Muslims has never been ideology free especially post 9/11...
The United States of America launched its war on terror in October, 2001. The war was declared both ...
The phenomenon of "suicide bombing" is not new, and yet the involvement of Muslim women in this viol...