Add to ORKGThe history of political images is indeed rich in topoi. One of them is the inseparable conjunction of Emperor Maximilian I (1449-1519) and early modern prints. Hence, it should not be a surprise to be welcomed by the Habsburg at the entrance of an exhibition of Renaissance Chiaroscuro Woodcuts. Under the title Renaissance Impressions: Chiarascuro woodcuts from the collection of Georg Baselitz and the Albertina, Vienna the Royal Academy of Arts, London, has assembled a selection of works eith..
Ausstellungskatalog, The National Museum of Western Art, Tokyo: 06.03.-06.05.200
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
Title: The humanists' portraits in Saxony of the first half of the 16th century In my work I tried t...
A Revolution in Printmaking. The Italian Chiaroscuro Woodcut of the Sixteenth Century. Cologne - Wal...
Displaying exquisite designs, technical virtuosity, and sumptuous color, chiaroscuro woodcuts are am...
review of Splendour & Power: Imperial Treasures from Vienna (Fitzwilliam Museum, Cambridge
In 1781, the Imperial Librarian and pioneering print scholar Adam von Bartsch edited aportfolio of t...
The exhibition and its feature contain a hundred or so masterpieces from the Renaissance of various ...
From 1580 to 1630 a distinctive figural style flourished in the visual arts in central and northern ...
‘The discovery’ of art in the times of the emperor Rudolph II of Habsburg’s reign remains a sort of ...
The Zurich woodcut illustrations of the early Reformation show a typical spectrum for the use of ima...
It may come as a surprise that in the turbulent political period of spring 1792 a decision was taken...
Developments in the art of printmaking in Renaissance Europe occurred during the same historical p...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
The Department of History of Art houses visual material of significant importance in the historiogra...
Ausstellungskatalog, The National Museum of Western Art, Tokyo: 06.03.-06.05.200
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
Title: The humanists' portraits in Saxony of the first half of the 16th century In my work I tried t...
A Revolution in Printmaking. The Italian Chiaroscuro Woodcut of the Sixteenth Century. Cologne - Wal...
Displaying exquisite designs, technical virtuosity, and sumptuous color, chiaroscuro woodcuts are am...
review of Splendour & Power: Imperial Treasures from Vienna (Fitzwilliam Museum, Cambridge
In 1781, the Imperial Librarian and pioneering print scholar Adam von Bartsch edited aportfolio of t...
The exhibition and its feature contain a hundred or so masterpieces from the Renaissance of various ...
From 1580 to 1630 a distinctive figural style flourished in the visual arts in central and northern ...
‘The discovery’ of art in the times of the emperor Rudolph II of Habsburg’s reign remains a sort of ...
The Zurich woodcut illustrations of the early Reformation show a typical spectrum for the use of ima...
It may come as a surprise that in the turbulent political period of spring 1792 a decision was taken...
Developments in the art of printmaking in Renaissance Europe occurred during the same historical p...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
The Department of History of Art houses visual material of significant importance in the historiogra...
Ausstellungskatalog, The National Museum of Western Art, Tokyo: 06.03.-06.05.200
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
Title: The humanists' portraits in Saxony of the first half of the 16th century In my work I tried t...
