Add to ORKGCritical Costume 2015 An international conference and exhibition of costume 25-27 March 2015, Helsinki, Finland Aalto University, School of Arts, Design and Architecture What does it mean to study costume in the 21st century? Early theoretical discourse on costume (Hollander 1975/1993; Wilson 1985/2013; Gaines 1990) underlines the active interrelation between costume, body and character by arguing that "costume assimilates bodily signifiers into character, but body as a whole engulfs the d..
The “…adornment of the body pre-dates all other known forms of decoration; that clothes express the ...
Selected documentation from Utopia Performance. I was one of the selected UK Designers to represent ...
The worlds of fashion and performance have tended to be analysed and understood in the context of th...
In this article I present an argument for a proposed focus of ‘critical costume’. Critical Costume, ...
Costume is critical. It is critical to making performance, critical to spectatorship, critically ove...
In this article, I present an argument for a proposed focus of ‘critical costume’. Critical Costume,...
This study investigates the importance of costume in relation to various ways of play such as Renais...
This beautifully illustrated book conveys the centrality of costume to live performance. Finding ass...
Dressed–Integrity presents new logics of expression and functionality in dress and its relation to t...
This dissertation explores costume and ritual as individual categories and then adds the theory abou...
Conference presentation at 'Critical Costume' Conference 2018, with a focus on ethical costume
This work is aiming to show costume designing as an essential artistic field of today which surpasse...
My dissertation focuses on the forms of costume outside the theatre. For its purpose I propose refle...
This presentation/paper explores visible representations of the modern working class via television ...
This article intends to shift current discourse on material thinking and agency from thinking of and...
The “…adornment of the body pre-dates all other known forms of decoration; that clothes express the ...
Selected documentation from Utopia Performance. I was one of the selected UK Designers to represent ...
The worlds of fashion and performance have tended to be analysed and understood in the context of th...
In this article I present an argument for a proposed focus of ‘critical costume’. Critical Costume, ...
Costume is critical. It is critical to making performance, critical to spectatorship, critically ove...
In this article, I present an argument for a proposed focus of ‘critical costume’. Critical Costume,...
This study investigates the importance of costume in relation to various ways of play such as Renais...
This beautifully illustrated book conveys the centrality of costume to live performance. Finding ass...
Dressed–Integrity presents new logics of expression and functionality in dress and its relation to t...
This dissertation explores costume and ritual as individual categories and then adds the theory abou...
Conference presentation at 'Critical Costume' Conference 2018, with a focus on ethical costume
This work is aiming to show costume designing as an essential artistic field of today which surpasse...
My dissertation focuses on the forms of costume outside the theatre. For its purpose I propose refle...
This presentation/paper explores visible representations of the modern working class via television ...
This article intends to shift current discourse on material thinking and agency from thinking of and...
The “…adornment of the body pre-dates all other known forms of decoration; that clothes express the ...
Selected documentation from Utopia Performance. I was one of the selected UK Designers to represent ...
The worlds of fashion and performance have tended to be analysed and understood in the context of th...