I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation in the Long Eighteenth Century. As is traditional now, I'll post here my proposal, and, all being well, should have a recording of my rehearsal to put up in the nearish future. Shakespeare's Ambassador: the Influence and Legacy of David Garrick in France and Germany This paper argues that English actors, and David Garrick in particular, played a crucial role in instigating intense intellectual ..
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has p...
Le passage de la Licensing Act en 1737 met fin à une période d’innovations et d’expérimentations dan...
Published in Great Britain.Adapted and enlarged from the French edition, which formed the author's t...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This is the text of a five-minute presentation I recently gave as a training exercise at Cambridge. ...
Temples built and imagined, statues sculpted and copied, proposals made and ignored, events celebrat...
Pen and ink drawing (undated) of David Garrick (1717- 1779) in the role of Hamlet. Garrick was a ren...
Two men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Lauren...
Les historiens du théâtre ont validé le regard de Lichtenberg sur les scènes londoniennes de leur po...
Book synopsis: Offers an account of those figures who have had the greatest influence on the interpr...
This post is dedicated to the various passages found in those papers of David Garrick and William Sm...
Gury Jacques. Passions et passion de Shakespeare à Garrick.. In: La passion dans le monde anglo-amér...
A detailed examination of the relationship between the discourses and practices of authority and dip...
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has p...
Le passage de la Licensing Act en 1737 met fin à une période d’innovations et d’expérimentations dan...
Published in Great Britain.Adapted and enlarged from the French edition, which formed the author's t...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This is the text of a five-minute presentation I recently gave as a training exercise at Cambridge. ...
Temples built and imagined, statues sculpted and copied, proposals made and ignored, events celebrat...
Pen and ink drawing (undated) of David Garrick (1717- 1779) in the role of Hamlet. Garrick was a ren...
Two men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Lauren...
Les historiens du théâtre ont validé le regard de Lichtenberg sur les scènes londoniennes de leur po...
Book synopsis: Offers an account of those figures who have had the greatest influence on the interpr...
This post is dedicated to the various passages found in those papers of David Garrick and William Sm...
Gury Jacques. Passions et passion de Shakespeare à Garrick.. In: La passion dans le monde anglo-amér...
A detailed examination of the relationship between the discourses and practices of authority and dip...
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has p...
Le passage de la Licensing Act en 1737 met fin à une période d’innovations et d’expérimentations dan...
Published in Great Britain.Adapted and enlarged from the French edition, which formed the author's t...