This article proposes a conjunction of acoustic, literary and archival approaches to fieldwork and anthropological writing. As a critique of the hegemony of the text in the anthropology of African religion it emphasizes subjective and embodied tactics. Set in a fieldwork context in Zimbabwe in the early 1990s, it argues that the combination of sonic anthropology, archival experimentation and literary or performance practices hypothetically provide seductive opportunities for overcoming the traditional limits of the canonical text.Situated in a critical relation to select classic studies in symbolic anthropology, the essay proposes a solution. Artistic exhibitions of multi-media field data and the use of hypertext links in e-ethnographies wh...
The article pertains to the notion of audio-anthropology both as the methodology and the way of prac...
Audio-visual media are a powerful vehicle of globalization engaged in the creation of widespread med...
In this essay, I consider the music that has been chosen as part of the previous essays in this coll...
This article investigates the politics of sensing through the productions of aurality enacted at tou...
A generation of scholars in multiple disciplines has investigated sound in ways that are productive ...
This thesis is an ethnographic analysis of a collection of field recordings of music from sub-Sahara...
This article investigates the politics of sensing through the productions of aurality enacted at tou...
This is the final version. Available from Anthropology Ireland via the DOI in this record. In this a...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
The act of academic writing simplifies and fixes the rhythms of both long-term ethnographic fieldwor...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
In order to deepen our knowledge of traditional music, both European and of any origin, it is essent...
The article takes as its point of departure the current interest among ethnomusicologists in the new...
The Internet allows ethnographers to deposit the textual materials on which they base their writing ...
“Ethnography as tradition in Africa” is our way of stressing that our discipline’s favoured methodol...
The article pertains to the notion of audio-anthropology both as the methodology and the way of prac...
Audio-visual media are a powerful vehicle of globalization engaged in the creation of widespread med...
In this essay, I consider the music that has been chosen as part of the previous essays in this coll...
This article investigates the politics of sensing through the productions of aurality enacted at tou...
A generation of scholars in multiple disciplines has investigated sound in ways that are productive ...
This thesis is an ethnographic analysis of a collection of field recordings of music from sub-Sahara...
This article investigates the politics of sensing through the productions of aurality enacted at tou...
This is the final version. Available from Anthropology Ireland via the DOI in this record. In this a...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
The act of academic writing simplifies and fixes the rhythms of both long-term ethnographic fieldwor...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
In order to deepen our knowledge of traditional music, both European and of any origin, it is essent...
The article takes as its point of departure the current interest among ethnomusicologists in the new...
The Internet allows ethnographers to deposit the textual materials on which they base their writing ...
“Ethnography as tradition in Africa” is our way of stressing that our discipline’s favoured methodol...
The article pertains to the notion of audio-anthropology both as the methodology and the way of prac...
Audio-visual media are a powerful vehicle of globalization engaged in the creation of widespread med...
In this essay, I consider the music that has been chosen as part of the previous essays in this coll...